Four Hands

In a quiet town where memory lingers like a thin fog, two sisters carry the weight of a past that refuses to stay buried. Their bond, forged in the shadow of a childhood tragedy, has always been a fragile dance of love and dependence. When a sudden accident snatches one sister away, the surviving sibling, Sophie, is thrust into a world where grief and the remnants of their shared history collide, turning ordinary moments into uneasy echoes of what once was.

The film unfolds within a domestic landscape that feels both intimate and oppressive, using muted colors and lingering close‑ups to heighten the sense that something unseen watches every breath. As Sophie navigates the aftermath, she is confronted not only by the palpable absence of her sister but also by an unsettling presence that seems to seep from the very walls of the house. This subtle, almost tactile menace whispers at the edges of her thoughts, suggesting that the tragedy may have awakened forces that blur the line between internal anguish and external horror.

Against this backdrop, Sophie wrestles with the desire to break free from the lingering, controlling influence of the sister she has lost. Her struggle is rendered through moments of quiet confrontation—glances caught in mirrors, sudden chills in familiar rooms, and the ever‑present feeling that a part of her willpower is being co‑opted. The tone remains deliberately tense, balancing the melancholy of mourning with an undercurrent of dread that hints at something far darker than ordinary sorrow.

Throughout, the story asks whether identity can survive when the shadows of the past threaten to rewrite the present. It invites the audience to linger in the unsettling spaces between memory and reality, leaving Sophie—and the viewer—wondering how much of herself remains intact when an unseen force begins to dictate her actions.

Last Updated: August 10, 2025 at 02:21