Year: 1932
Runtime: 10 mins
Director: Ella Bergmann-Michel
The film presents water landscapes as transparent surfaces, offering unfiltered, transfigured views of nature. Close‑up fragments without a horizon give a sense of flatness, while plants reflected symmetrically become graphic motifs. Light’s sharp reflections, wave glints and fish shadows act like echo‑sounders, revealing the riverbed’s uneven ground.
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Fishing in the Rhön (at the Sinn) (1932) Plot Summary & Movie Recap
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