Driving Lesson

In Ben Marshall is a seventeen‑year‑old caught in the quiet pressure of a home where duty eclipses desire. His father, Robert, a vicar whose sermons are softened by an unexpected fascination with birds, drifts between parish and personal oblivion, while his mother, Laura, rules the household with a stern, devout rigor that leaves little room for teenage rebellion. Deprived of a phone, barred from peers, and tasked with writing tentative poems for a church girl, Sarah, Ben’s world is a modest, suffocating routine that chafes against an undercurrent of yearning for something beyond the pews.

Seeking a sliver of independence, Ben takes a summer job that leads him to an unlikely companion: the reclusive former star Dame Evie Walton. Once celebrated on stage, Evie now inhabits a faded glamour, her days marked by a longing for genuine connection. She offers Ben a position as driver and confidant, inviting him into a space where the constraints of his mother’s faith feel momentarily loosened. The contrast between Evie’s worldly, if weary, perspective and the rigid, scripture‑bound atmosphere of Ben’s home creates a delicate tension that promises both freedom and uncertainty.

The film unfolds in a tone that balances quiet drama with the restless energy of a coming‑of‑age story. It paints a portrait of a young man navigating the fault lines between familial loyalty, religious expectation, and the intoxicating promise of an adult world just out of reach. As Ben hovers on the brink of choice—between the familiar safety of his family’s doctrine and the alluring, imperfect reality offered by Evie—the audience is drawn into a reflective, subtly charged atmosphere that asks what it means to claim one’s own path when every road seems already mapped.

Last Updated: November 25, 2025 at 14:49