Comin’ ’Round the Mountain

In the bustling world of 1930s show business, theatrical agent Al Stewart thrives on turning unlikely talents into headline acts. When he lands a night‑club booking for the wildly charismatic Dorothy McCoy, billed as “The Manhattan Hillbilly,” the stage becomes a playground where country swagger collides with city sleekness. Joining her is the well‑meaning but catastrophically clumsy escape artist known only as The Great Wilbert, whose penchant for spectacular mishaps promises a night full of laughter and surprise.

The film paints a vivid tableau that jumps from smoky New York lounges to the dusty, lively fairs of the countryside, where the air hums with the promise of a horse race and the roar of a bull‑fight. This contrast fuels an energetic, screwball tone that celebrates eccentric personalities and the chaos that follows when big‑city ambition meets rural tradition. The characters navigate a world where music, rivalry, and a dash of good‑natured mayhem weave together, creating a light‑hearted atmosphere that invites the audience to revel in both the spectacle and the folly.

Amid the bustling preparations, Dorothy McCoy exudes a daring mix of innocence and grit, while Al Stewart balances his knack for promotion with a genuine affection for his eclectic clients. The Great Wilbert, ever the earnest performer, brings a slapstick charm that keeps the audience guessing what will go awry next. Together, they set the stage for a comedy of errors that blends heartfelt ambition with the exuberant spirit of a time when anything could happen under the bright lights—or the open sky of a dusty rodeo.

Last Updated: August 20, 2025 at 17:51