Year: 1990
Runtime: 133 mins
Language: English
Director: Alan Parker
Set in 1942, when more than 100,000 Japanese‑Americans are forced into internment camps, fugitive Jack McGurn escapes to Los Angeles and becomes a projectionist for a Japanese‑American theater owner. He falls for the owner’s daughter Lily; their secret romance drives them to elope to Seattle, marry, and raise a daughter. As World War II erupts, Jack watches helplessly as his family is seized for internment.
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In the early 1950s, Lily Kawamura [Tamlyn Tomita] tells her pre-adolescent daughter Mini [Shyree Mezick] about her father and the life she barely remembers, as they walk toward a rural train station.
In 1936, Jack McGurn [Dennis Quaid] is a motion picture projectionist, involved in a campaign of harassment against non-union theaters in New York City. One such attack turns fatal, as one of his fellow union members starts a fire. McGurn’s boss, knowing that the feelings of guilt would likely cause Jack to go to the police, urges him to leave the city. Jack moves to Los Angeles where his brother Gerry McGurn [Colm Meaney] lives. Jack’s role as a “sweatshop lawyer” strains an already rocky relationship with Gerry, who is willing to have any job, barely keeping his family afloat during the Great Depression.
Taking the name McGann, Jack finds a job as a non-union projectionist in a movie theater run by the Kawamura family. He falls in love with Lily, his boss’ daughter. Forbidden to see one another by her Issei parents and banned from marrying by California law, the couple elopes to Seattle, where they marry and have a daughter, Mini.
When World War II breaks out, Lily and their daughter are caught up in the Japanese American internment, rounded up and sent to Manzanar, California. Jack, away on a trip, is drafted into the United States Army with no chance to help his family prepare for their imprisonment.
Finally visiting the camp, he arranges a private meeting with his wife’s father Mr. Kawamura [Sab Shimono], telling him that he has gone AWOL and wants to stay with them, whatever they have to go through. They are his family now and he belongs with them. The older man counsels him to return to the Army, and says that he now believes that Jack is truly in love with Lily, and a worthy husband.
Returning, ready to face his punishment for desertion, he is met by FBI agents, who have identified “McGann” as being the McGurn wanted for his part in the arson of years before.
Finally, in the 1950s, the train arrives and Lily and Mini reunite with Jack, who has served his time in prison and is now returning to his family.
Last Updated: October 09, 2025 at 15:06
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Intimate love stories tested by systemic oppression and societal conflict.If you were moved by the love story in 'Come See the Paradise' set against the tragedy of internment camps, explore more movies like it. This collection features powerful romantic dramas where love must survive against overwhelming social and political forces, blending personal connection with historical struggle.
The narrative follows two individuals from different worlds who fall deeply in love, only to have their relationship threatened or torn apart by external societal pressures like war, racism, or political turmoil. Their personal fight to stay together becomes a metaphor for a larger human rights struggle.
Movies in this thread share a core structure of intertwining a tender, character-driven romance with a heavy historical or political context. The emotional power comes from the contrast between intimate hope and systemic despair, creating a consistently bittersweet and heavy tone.
Gripping stories of families fractured by political forces and historical trauma.For viewers seeking movies similar to 'Come See the Paradise' and its heartbreaking depiction of a family divided by internment camps. These films are heavy historical dramas that focus on the emotional toll of family separation caused by war, injustice, or political conflict, often with a somber and reflective mood.
These narratives typically follow a family living in relative normalcy until a major historical event—such as war or systemic prejudice—intrudes, leading to their forced separation. The story then unfolds through the parallel struggles of each family member, highlighting their resilience, suffering, and the long, difficult path toward finding each other again.
These films are grouped by their shared focus on the family unit as a casualty of history. They evoke a specific blend of melancholy, anxiety, and nostalgia, using a steady, deliberate pace to fully explore the emotional weight of loss and the fragile hope of reconciliation.
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