A ruthless lumberjack trades his love for a saloon girl in pursuit of wealth, marrying into a prosperous family. Years later, he becomes obsessed with the daughter of his former lover, confronting the consequences of his ambition and the sacrifices he made for power.
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Read the complete plot breakdown of Come and Get It (1936), including all key story events, major twists, and the ending explained in detail. Discover what really happened, and what it all means.
Barney Glasgow, Edward Arnold, a ruthless lumberjack foreman in 19th-century Wisconsin, will stop at nothing to become the head of the logging industry. He ends his relationship with Lotta Morgan, Frances Farmer, the saloon singer, and marries Emma Louise Hewitt, Mary Nash, the daughter of his boss Jed Hewitt, Charles Halton, to secure a partnership in his business.
Two decades later, a wealthy Barney and Emma Louise’s son Richard Glasgow, Joel McCrea, strongly object to his father’s practice of destroying forests without planting new trees. Barney visits his old friend Swan Bostrom, Walter Brennan, who married Lotta when Barney rejected her. Swan is now a widower raising a daughter, also named Lotta (also played by Frances Farmer), who bears a striking resemblance to her mother.
Barney finds himself attracted to the girl and, foolishly hoping to recapture the love he abandoned as a young man, offers to finance her education. Complications arise when his son Richard meets Lotta and takes a strong interest in her, which is reciprocated. Barney is jealous.
The narrative threads together ambition, family loyalties, and the tension between progress and the preservation of nature, painting a portrait of a man whose drive to lead the industry collides with the well-being of the land and those around him.
Last updated: February 24, 2026 at 09:22
Explore frequently asked questions about Come and Get It (1936) with spoiler-rich answers covering the full plot summary, major story beats, character motivations, hidden details, and ending meaning. This movie summary FAQ helps explain confusing scenes, plot twists, and narrative decisions in clear, searchable detail.
Barney abandoned Lotta Morgan because he was obsessed with rising to the top of the Wisconsin logging industry. He calculated that marrying Emma Louise Hewitt, the daughter of his boss Jed Hewitt, would give him the business partnership he needed to achieve power. This strategic marriage represents his willingness to sacrifice personal happiness for ambition, establishing the central theme of his lifelong regret.
The film establishes early on that Barney will stop at nothing to gain power, even if it means betraying genuine affection.
Barney is drawn to the younger Lotta because she bears a striking resemblance to her mother, the Lotta Morgan he abandoned years earlier. Seeing the girl triggers his desire to recapture the love he sacrificed for his ambitions. His attraction represents his attempt to reclaim something he lost, though pursuing his former lover's daughter is both morally questionable and ultimately futile.
The timeline notes that Barney's feelings for the younger Lotta are tied to his回忆 of the original relationship.
Barney's jealousy stems from seeing his own son pursue the same woman he is attracted to. It intensifies when Richard and Lotta develop mutual feelings, threatening whatever plans Barney had for the relationship. His jealousy exposes his inability to separate his romantic desires from his sense of ownership and control, and it highlights the generational conflict between father and son.
Barney's earlier decision to offer financing for Lotta's education already revealed his intention to insert himself into her life.
Barney offers to finance Lotta's education as a way to get closer to her and win her favor. This gesture mirrors his strategic approach to relationships, he uses financial support as leverage, just as he used marriage to secure his business position. It reflects his manipulative nature and his attempt to shape the future according to his desires.
Barney's pattern of using relationships for gain is established from his earliest scenes.
Barney's refusal to replant trees reflects his shortsighted pursuit of immediate profit and dominance over the industry. He views the forests purely as a means to an end, wealth and power. This practice symbolizes his broader approach to life: taking what he wants without considering long-term consequences. His son Richard's opposition represents the moral counterpoint to this philosophy.
The meta notes identify Barney's logging practices as a metaphor for his approach to love and life.
The conflict between Barney and Richard arises from their fundamentally different visions for the logging business and the land. Richard objects to his father's practice of destroying forests without replanting, advocating for sustainable forestry. This professional disagreement represents a broader generational clash, the old way of ruthless exploitation versus a more responsible approach.
Richard's opposition first emerges as he watches the forests being logged over two decades.
Lotta Morgan married Swan Bostrom after Barney rejected her to pursue his ambition. When Barney ended their relationship to marry Emma for business advantage, Swan, Barney's friend, stepped in and married the heartbroken Lotta. This explains why Swan raises a daughter also named Lotta, creating the connection that later draws Barney back into their lives.
The timeline establishes that Swan married Lotta immediately after Barney abandoned her.
Barney's ruthless ascent to power in the logging industry sets the foundation for his entire life's trajectory. By using any means necessary to dominate Wisconsin's lumber camps, he achieves wealth and status but at the cost of authentic relationships and moral integrity. The film shows how this same ruthless mindset destroys his personal life and creates the regret that defines his later years.
The film's opening establishes that Barney will stop at nothing to achieve power.
By the end of the film, Barney's foolish pursuit of Lotta is exposed and his jealousy over his son's relationship creates an irreversible breach in their family. The ending is bittersweet, Barney's choices catch up with him as his manipulation is revealed and his chance at redemption through the younger Lotta dissolves. He faces the consequences of prioritizing ambition over genuine love throughout his life.
The love triangle between father, son, and Lotta creates the crisis that forces Barney's reckoning.
Barney visits Swan Bostrom after two decades primarily to reconnect with his past, though the trip becomes pivotal when he encounters Swan's daughter Lotta. The visit is partly nostalgic and partly strategic, Barney is now wealthy and successful, and seeing his old friend may have been an attempt to validate his life choices. Instead, the encounter triggers the emotional conflict that defines the film's latter half.
The timeline notes this visit as the moment past relationships resurface in Barney's life.
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Multi-generational stories where ambition clashes with love, leaving a trail of regret.Discover movies like 'Come and Get It' that explore the heavy cost of ambition. If you enjoyed this story of a lumber baron's lifelong regrets, you'll find similar multi-generational family dramas centered on powerful figures facing the consequences of their choices.
These narratives often unfold over many years, following a protagonist whose single-minded drive for success leads them to sacrifice personal relationships. The story typically revisits these choices later in life, creating conflict with the next generation and culminating in a reflective, bittersweet resolution.
Movies in this thread share a melancholic, ambition-driven mood and a steady, character-focused pace. They are united by their exploration of themes like economic ambition versus love, generational conflict, and the enduring weight of past decisions.
Stories where romantic desire ignites a fierce rivalry between a father and son.Find more films like 'Come and Get It' centered on intense father-son rivalry. If you were captivated by the conflict where a father and son vie for the same woman's love, explore these powerful dramas about familial bonds shattered by jealousy and desire.
The plot revolves around a powerful, often domineering father figure whose romantic fixation creates a direct rivalry with his son. This conflict forces both characters to confront their personal ambitions, unresolved family tensions, and the blurred lines between love, possession, and legacy.
These films are grouped by their specific, high-stakes conflict that merges family drama with romantic tension. They share a medium intensity and a steady pacing that allows the uncomfortable dynamics and emotional weight of the situation to fully develop.
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