Cemetery Man

In the quiet Italian town of Buffalora, a strange rule governs the after‑life: the dead sometimes rise again within a week of their burial. The local cemetery, marked by a Latin inscription that warns of a future “resurrection,” becomes the front line of an unsettling routine. Its caretaker is tasked with confronting those who return, turning a place of remembrance into a nightly watchtower where the ordinary and the uncanny collide.

Francesco Dellamorte lives on the fringe of the community, a solitary figure whose days are filled with eccentric pastimes—crossing out names in old telephone directories, puzzling over a skull‑shaped contrivance, and cataloguing the deceased. Rumors swirl about his personal life, and his reputation as an outsider is reinforced by his odd habits. He is accompanied by Gnaghi, his mute‑but‑expressive assistant whose vocabulary is limited to a single word, yet whose presence provides a fragile companionship that neither fully understands nor is understood by the townsfolk. Their bond, quiet and peculiar, anchors the caretaker’s routine amid an atmosphere of whispered judgment.

The film blends horror, dark comedy, and a lingering sense of melancholy, painting Buffalora with a surreal brush that makes the mundane feel eerie. Beneath the town’s polite façade, officials seem more concerned with appearances than with the unsettling phenomenon, allowing the cemetery’s grim responsibilities to fall largely on Francesco. Hints of romance and unspoken desire flicker through his interactions, adding a layer of vulnerability to a man already marked by isolation. The tone remains deliberately off‑kilter, inviting viewers to linger on the strange beauty of a world where death is merely a pause, and the line between duty and obsession is as thin as the breath of the night.

Last Updated: November 25, 2025 at 15:21