Bullets Over Broadway

In 1928, David Shayne, a hopeful young playwright from Pittsburgh, arrives on Broadway hoping to secure funding for God of Our Fathers. Producer Julian Marx pressures him to cast Olive Neal, gangster Nick Valenti's girlfriend, in a minor role to grease the wheels. This decision sets up the uneasy mix of art, money, and crime that drives the story.

To placate Olive's mob backing, David agrees to cast Helen Sinclair in the lead and hires Warner Purcell. The arrangement promises star power but stirs tension with Olive and Cheech. Rehearsals begin with ambition clashing against vice and danger.

Olive arrives on set escorted by Cheech, the mob henchman who insists on watching rehearsals. The presence of a gangster at the rehearsal room heightens anxiety among the cast and crew. The line between show's protection and intimidation grows increasingly blurry.

Cheech begins offering notes on the script, initially angering David, but he soon recognizes the ideas as sharp and usable. His natural talent for tapping into the play's voice is clear, yet he refuses to take public credit. The collaboration reshapes the script and the actors' performances.

The cast praises the revised script after Cheech's input, while Cheech's earlier draft is dismissed as dull. The production starts to feel alive as the team embraces his guidance. Behind the curtain, the tension between credit and artistry continues to fester.

David's personal life spirals as he cheats on his fiancée Ellen with Helen Sinclair, the lead actress. Ellen discovers the affair, fueling tensions and risk for the production's stability. The glamour of Broadway masks a growing web of deception.

Warner Purcell begins overeating and embarks on an affair with Olive, an arrangement he tries to end after Cheech's threats. The dangerous triangle worsens backstage dynamics and amplifies the stakes for the show. The resort to vice underscores the characters' vulnerabilities.

Frustrated by Olive's acting, Cheech attempts to get her fired, but David reminds him that Olive cannot be easily gotten rid of. The power struggle intensifies behind the curtain as agents of crime and art wrestle for control. The tension foreshadows a future tragedy.

In a brutal turn, Cheech murders Olive and dumps her body in a river, hoping to eliminate the risk she represents. The act sends shockwaves through the cast and leaves the production in turmoil. David senses something wrong and begins to piece together the truth.

Olive's murder is initially blamed on inter-gang warfare, but David quickly senses the truth and confronts Cheech. The confrontation exposes the moral costs behind the glamorous production. The walls of the theater seem to close in around the cast and crew.

Ellen ends her relationship with David and leaves for his Marxist friend Sheldon Flender, intensifying David's loneliness and guilt. The emotional center of the story shifts as loyalties fracture and ambition remains on stage. The personal cost of the show begins to overshadow its success.

On opening night, Nick Valenti accuses Cheech of Olive's murder, though Cheech denies it. The accusation adds a volatile layer of tension to the performance, with mob pressure lingering behind the scenes. The audience remains unaware of the real peril offstage.

Henchmen chase Cheech backstage and shoot him during the performance. As he dies, Cheech improvises a new final line for the play, altering the ending’s meaning. The production continues, forever colored by his dying contribution.

The play becomes a critical and commercial success despite the turmoil. David, avoiding the after-party, confronts Flender and admits his lack of talent, proposing marriage to Ellen. Ellen accepts, signaling a move back to Pittsburgh and a break from high society.