Bartleby

In the stark yet oddly poetic world of a public‑records office perched on an isolated hill, routine runs like clockwork beneath humming vents and the steady clack of filing cabinets. The building is staffed by a handful of idiosyncratic characters—Ernest, a nervous, overweight clerk; Rocky, a man whose swagger and speech echo a bygone mobster era; and Vivian, a candid receptionist whose flirtatious honesty breaks the monotony. Their manager, known only as the Boss, runs the operation with meticulous precision, valuing order above all else and preparing for an anticipated surge in paperwork.

When a lone figure is spotted on an overpass and steps forward for a newly posted position, the Boss reluctantly offers him a place in the team. Bartleby arrives with a quiet, off‑kilter demeanor, his past defined only by vague references to a dead‑letter office and a habit of staring at a vibrating vent. At first he seems the ideal employee, turning out work at a startling pace, yet he soon begins to decline specific duties, repeatedly uttering the enigmatic line, “I would prefer not to.” His refusal is not hostile but curiously calm, and it slowly seeps into the office’s atmosphere, prompting his coworkers to echo the phrase in their own speech.

The clash between the Boss’s drive for efficiency and Bartleby’s gentle resistance sets a tone that is both deadpan and unsettling, blending dry humor with an undercurrent of existential unease. As the office’s usual rhythm is quietly upended, the film invites viewers to linger on the strange intimacy of a workplace turned arena for questioning the very nature of work, productivity, and personal agency—without ever revealing how far the tension will ultimately go.

Last Updated: October 23, 2025 at 16:18