Amityville II: The Possession

In the quiet suburb of Amityville, a newly‑renovated house at 112 Ocean Avenue looms like a silent promise of fresh starts. The Montelli family—father Anthony, his wife Dolores, and their five children—arrive eager to leave behind a past scarred by tragedy. The home, with its spacious rooms and sprawling yard, feels both a sanctuary and a whispered warning, its very walls humming with a subtle, unsettled energy that the newcomers can’t quite name.

Within those walls, the family’s ordinary rhythms begin to fray. Anthony struggles to assert control, his temper flaring in ways that unsettle his wife and children. Dolores, desperate to keep the household together, turns to increasingly fervent religious rituals, seeking comfort in prayer and symbols that seem to clash with the house’s quiet menace. Their oldest son, Sonny, starts experiencing unsettling visions and a growing sense of powerlessness, while the younger siblings—Patricia, Mark, and Jan—sense an odd shift in the atmosphere, as if the house itself were watching.

When the local priest, Father Frank Adamsky, arrives to bless the new home, his presence adds another layer of tension. The ceremony, meant to calm and protect, instead hints at deeper forces at play, leaving both the family and the cleric uneasy. The film’s tone is thick with claustrophobic dread, blending the ordinary pressures of family life with an undercurrent of something far darker prowling just beyond sight. As the Montellis settle in, the audience is left to wonder how long the fragile balance between domestic normalcy and an unseen, oppressive presence can hold.

Last Updated: August 10, 2025 at 14:10