A Song Is Born

In a grand Victorian mansion tucked away in New York City, a circle of seven scholars has spent nearly a decade insulated from the world, laboring over a sprawling encyclopedia of folk music. Their home, the Totten Foundation, is a quiet sanctuary of books, parchment, and the soft ticking of a clock, deliberately cut off from the radio waves that now pulse through the streets outside. The atmosphere is scholarly and reverent, yet a lingering sense of curiosity tinges every hallway, as the academics sense that there is a whole universe of sound they have missed.

When the quiet routine is jolted by a chance encounter with the bustling swing scene beyond their doors, the group’s modest expertise suddenly feels inadequate. Leading the charge is Hobart Frisbee, the foundation’s resident folk‑music authority, whose earnest mind is both humbled and thrilled by the swinging beats of the city. Their search for a true swing‑music mentor brings them to a lively nightclub, where they meet Honey Swanson, a charismatic singer whose voice seems to embody the very spirit of the era. Her poise, humor, and irresistible charm spark an instant connection with the scholars, promising to bridge the gap between academic study and lived musical experience.

Yet the sparkle of new rhythm is shadowed by the presence of Tony Crow, Honey’s own perilously devoted boyfriend, who is determined to keep her bound to his world. His uneasy watch creates a subtle undercurrent of tension, hinting that the scholars’ venture into swing may involve more than just lessons in tempo and melody. As the mansion begins to echo with brass, reeds, and hushed laughter, the characters stand on the brink of a transformative encounter—where the disciplined language of research meets the free‑wheeling pulse of swing, and where curiosity could rewrite both their personal and musical lives.

Last Updated: December 05, 2025 at 09:48