A Man from the Boulevard des Capucines

A principled cinematographer who believes in cinema as a doorway to other worlds. He remains courteous and gentle even amid chaos, and his pursuit of Diana reveals the power of kindness to soften a rough town.

A dancer who becomes Johnny's love interest. Initially guarded, she opens up to Johnny’s respectful courtship and the beauty he brings into her life, illustrating how cinema can unlock trust and hope.

A cowhand and Johnny's friend who provides a worldly counterpoint to Johnny's idealism. He witnesses the town's changes and the transformative power of cinema with practical skepticism.

Bar owner who profits from the town's chaos. He resists the shift that cinema brings to his business model and schemes to undermine Johnny’s influence.

Rival cinematographer who introduces violence on screen, foreshadowing the later era of splatter cinema. His presence tests Johnny's belief in cinema’s civilizing power.

Leader of the robbers who questions Johnny’s pacifist approach. He undergoes a subtle transformation after witnessing the impact of Johnny’s films.

Local pastor who longs for Diana’s affection and views Johnny as a threat to his influence. He embodies the conflict between faith and art in the town.

The Chief's wife who bears witness to the town's changes as cinema begins to shape social norms and personal relationships.