Zurich

In the quiet, rain‑slick streets of Zürich, a young woman named Lea carries the weight of a lifelong battle with cystic fibrosis. Though the city’s orderly calm contrasts with her breath‑shortening reality, it also offers a discreet doorway to a choice she has contemplated for months: to end her life on her birthday, on her own terms. The film sets this personal quest against the backdrop of a Swiss organization that assists those seeking a controlled departure, positioning the story within a realm where legality, ethics, and compassion intersect in subtle, everyday spaces.

Lea’s family gathers around her decision, each member grappling with a mix of love, denial, and the pressure to protect. Her mother, Lena, initially recoils, torn between maternal instinct and the desire to honor her daughter’s autonomy. Meanwhile, Rita and their grandmother Maria oscillate between shock and tentative acceptance, creating a fragile but intimate emotional tapestry that underpins the narrative. The dynamic is further nuanced by a chance encounter with Moritz, a fellow traveler who, like Lea, carries his own burdens of despair, hinting at the quiet solidarity that can arise among strangers facing similar crossroads.

The tone of the film is meditative and restrained, emphasizing the tenderness of ordinary moments—a shared meal, a walk along the lake, a lingering stare in a hostel room—against the looming presence of mortality. The cinematography captures Zürich’s crisp, almost clinical beauty, mirroring Lea’s meticulous planning while also reflecting the stark simplicity of her resolve. Throughout, the storytelling remains sensitive, inviting the audience to contemplate the complexities of agency, familial love, and the search for dignity without ever spilling the precise details of what lies ahead.

Last Updated: October 07, 2025 at 13:27