Year: 1944
Runtime: 21 mins
Language: English
Director: Arthur Lubin
World War II public education film about sexually transmitted diseases focused on syphilis.
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In a wartime setting, Compton and his fellow ground crew for a B-17 Flying Fortress find their status stuck in neutral as their unit’s planes head out to engage the enemy, while their own aircraft sits idle because their pilot is deemed “sick.” The pilot, whose face is never shown, speaks with a doctor and reveals his deep sense of embarrassment and guilt. The doctor offers reassurance, telling him that he will be able to fly again once he recovers, and when the pilot laments the possibility of never flying again, the doctor challenges the notion, asking who told him that—“the kid next door or the drug patent salesman?” He explains that with early detection and a strict treatment plan, the patient can return to normal life.
The doctor then turns to the audience to deliver straight facts: “Do you want the facts? Well the first question is the extent of syphilis in America.” A visit to the local draft board follows, revealing sobering statistics: nearly 47 of every thousand men called up must be dismissed because they have syphilis. A stop at an Army hospital drives the point home: syphilis is described as a “forest fire,” more damaging to the army than any saboteur or organized enemy could be.
Beyond the medical details, the film shines a light on social stigma and the reluctance many feel about getting tested. The doctor discusses the barriers to blood testing and contrasts the situation with Scandinavia, where openness about the disease and routine blood tests are more common. He highlights a comparison of population sizes—Norway, Sweden, and Denmark together roughly equal to the State of New York—and notes that fewer people in those nations suffer from venereal disease than in New York, suggesting cultural differences in addressing the issue. A simple diagram of those Scandinavian countries reinforces his point, underscoring the contrast between openness and stigma.
The narrative culminates in a clear, actionable message for the audience: the importance of getting tested. By presenting medical facts, personal risk, and cultural contrast, the film advocates for proactive health measures and aims to reduce the fear and secrecy surrounding syphilis.
The production features a notable cast, including Robert Mitchum, whose presence adds gravity to the ensemble. The film’s focus remains educational and documentary in tone, aiming to inform as much as to persuade, while keeping the human element at the center of its cautious, informative approach.
Last Updated: October 09, 2025 at 11:14
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Films that present critical public health information with serious urgency and clarity.Discover movies similar to To the People of the United States that deliver urgent, factual information on critical social or health topics. These films share a serious, informative tone and a clear, persuasive structure designed to educate and motivate viewers to action.
These narratives typically follow a straightforward, logical progression from problem identification to evidence presentation and finally a clear call to action. The conflict is often a societal issue rather than a personal one, with the goal being public awareness and behavioral change.
Movies are grouped here based on their shared purpose of public education, their neutral-to-serious tone, and their steady, informative pacing. They prioritize clarity and persuasion, often concluding with a hopeful, actionable message.
Stories produced during conflict to shape civilian attitudes and behavior.If you liked the historical context of To the People of the United States, explore similar films made during wartime. These movies serve as both historical documents and tools of persuasion, addressing topics vital to the war effort with a mix of information and urgency.
Narratives in this thread are defined by their extrinsic purpose beyond entertainment. They are structured to address a specific concern relevant to the war effort, such as health, safety, or unity, using language and imagery that reflects the period's values and anxieties.
These films are connected by their shared historical context of being produced during a major conflict, their function as tools of public instruction or persuasion, and their distinctive blend of factual presentation with patriotic or urgent overtones.
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