Titli

Titli, a 17-year-old girl, fills her room with posters of Rohit Roy and nurtures a crush on him. Her infatuation frames the early tone of the story and hints at the emotional storms to come as she grows up.

Urmila and Titli drive to the airport to pick up Titli's father, traveling along the Kurseong-Siliguri road. Rohit Roy unexpectedly joins the jeep as a fellow passenger, and Titli's dream intensifies on meeting him face to face. The scenic drive heightens the romantic mood surrounding the encounter.

A coolant failure forces a roadside halt, interrupting the long-awaited moment. Titli volunteers to fetch Rohit a cigarette, and he agrees, deepening the moment of connection between them. The pause intensifies the emotional charge of their proximity.

While Titli is away, Urmila and Rohit reveal their past—their romance from twenty years ago when he sought film roles. Although Urmila is now married, their lingering connection colors the trip and unsettles the present.

As the journey continues, Urmila recites a poem and Rohit notes a rain droplet on his watch, turning the scene into a lyrical meditation on longing. The fog and landscape heighten the romantic mood and sense of memory.

On returning, Titli overhears the old lovers' conversation and learns of their history. Her own romance is suddenly in jeopardy, and a sense of desolation settles in, amplified by the mood of Strawberry Fields Forever.

They reach the airport where Titli's father warmly greets Rohit, unaware of the lovers' past. He encourages his wife and daughter to maintain contact with Rohit, adding complexity to the family dynamics.

The drive back becomes a test of tenderness as Titli struggles with anger and heartbreak, torn between loyalty to her mother and her own shattered crush. The tension strains their closeness and leaves Titli emotionally isolated.

Titli questions whether Urmila still loves Rohit, grappling with the possibility that her mother could rekindle the romance. The family dynamic becomes more fragile as curiosity turns into a painful doubt.

Rohit writes a letter to Urmila announcing his engagement to another woman, providing the concrete answer Titli has sought. Urmila reads the news and finally confronts the truth about their past and present.

The film ends with a stylistic signpost—the magazine cover announcing 'Bangali Babur Biye'—marking the cultural commentary on marriage and desire. The final image mirrors the unresolved tensions that linger beneath the surface.

A recurring theme is the first day of the rains, celebrated as a romantic turning point in the Bengali calendar. The fog-enshrouded jungles of Duars, the Darjeeling toy train, monasteries and poetry provide a lush backdrop for the emotional drama.