This Film Is Not Yet Rated

This Film Is Not Yet Rated

Year: 2006

Runtime: 97 min

Language: english

Documentary

This documentary explores the secretive world of the Motion Picture Association of America (MPAA) and its film rating system. It examines how the MPAA’s decisions impact both studio and independent films, particularly concerning depictions of violence, sexuality, and LGBTQ+ themes. Through interviews and behind-the-scenes glimpses, the film raises important questions about censorship, artistic expression, and the power of the rating board.

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Timeline – This Film Is Not Yet Rated (2006)

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1

Director's Exploration

The film begins with Academy Award-nominated director Kirby Dick expressing concern over the authority of the Motion Picture Association of America (MPAA). This becomes the catalyst for his investigative journey into the world of film ratings and censorship.

2

Engagement of Investigator

To delve deeper into his investigation, Dick hires private investigator Becky Altringer. Her role is to observe the MPAA headquarters and attempt to unveil the hidden secrets that govern film ratings in Hollywood.

MPAA Headquarters
3

Filmmaker Interviews

Throughout the documentary, Dick interviews a range of filmmakers including John Waters, Mary Harron, and Kevin Smith. They candidly share their personal experiences and frustrations with the MPAA's inconsistent and often severe judgmental processes.

4

Revelations on Raters

One of the film's striking revelations is the background of MPAA raters, many of whom lack parental experience with children in the target age group. This finding raises questions about the appropriateness and fairness of their ratings decisions.

5

Disparities in Content Ratings

The documentary points out that the MPAA seems to impose stricter scrutiny on homosexual content compared to heterosexual content. This is supported by commentary from an MPAA spokesperson, highlighting potential biases in their rating criteria.

6

Uncovering Board Secrecy

Dick uncovers troubling information regarding the MPAA's appeals board, which mainly consists of studio executives and clergy members. The lack of transparency surrounding their operations raises serious concerns about the influence of personal beliefs on film ratings.

7

Pre-Sundance Controversy

Before its premiere at the Sundance Film Festival, the documentary attracted attention after receiving an NC-17 rating for graphic sexual content. This situation added more layers to the ongoing discussions about censorship in cinema.

Sundance Film Festival
8

Incorporation of Ratings Debates

During its presentation at Sundance, the film interweaves the ongoing rates deliberations and Dick's own appeal process into the overarching narrative. This creates a meta-commentary on the nature of filmmaking and its reception by regulatory boards.

Sundance Film Festival
9

Need for Resubmission

Following the significant changes made to the film after its initial NC-17 rating, it must undergo a resubmission process to obtain a new MPAA rating. This highlights the ongoing challenges filmmakers face within the rating system.

10

Questioning Standards

The documentary raises critical questions about the standards set by the MPAA, especially with the statement, 'We don't create standards; we just follow them.' This underscores the ambivalent relationship between art, morality, and censorship in film.

Last Updated: November 04, 2024 at 03:00

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