The Witness

The Witness

Year: 1969

Runtime: 108 mins

Language: Hungarian

Director: Péter Bacsó

Comedy

In 1950s Hungary, against the backdrop of post‑war upheaval, dam keeper József Pelikán tends the Danube when he unexpectedly runs into Zoltán Dániel, a former comrade he rescued years earlier, who has risen to become an influential political figure.

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Timeline – The Witness (1969)

Trace every key event in The Witness (1969) with our detailed, chronological timeline. Perfect for unpacking nonlinear stories, spotting hidden connections, and understanding how each scene builds toward the film’s climax. Whether you're revisiting or decoding for the first time, this timeline gives you the full picture.

1

Pelikán's postwar life as a dike-reeve and father

József Pelikán lives as a single father and works as a dike-reeve, carrying the memory of his underground past. He balances family duties with his hard-won dignity in a country under tight political control. The opening portrait establishes him as a steadfast, working-class figure shaped by postwar Hungary.

late 1940s Pelikán's home
2

Rescue at the Danube and reunion

Dániel falls into the Danube while fishing near the dike; Pelikán dives in to pull him to safety and then invites him to his home. The reunion stirs memories of their underground days and hints at surveillance looming over their past. Their bond becomes a focal point for the regime's mounting pressure.

early 1950s Danube river near the dike
3

ÁVH raid and pig basement revelation

As the two reminisce, the ÁVH bursts in after a 'serious anonymous report' of illegal pig slaughter. Dániel tries to shield Pelikán by demonstrating loyalty, but his actions inadvertently reveal Pelikán's basement where the pork is hidden. The raid marks the collapse of their safety and Pelikán's fall under state scrutiny.

same day Pelikán's home
4

Imprisonment and later release on higher command

Pelikán is marched off to prison, his fate hanging on the whims of higher command. After a period of confinement, he is released on orders that seem opaque and strategic rather than merciful. The episode plants the seed of the regime's ongoing manipulation of his life.

early 1950s Prison
5

Virág's benevolent assignments begin

Comrade Virág, presenting a veneer of kindness, assigns Pelikán to a string of public roles: swimming-pool CEO, amusement-park administrator, and later head of an orange research institute. Each post tests his usefulness to the state and his ability to perform a crafted image of the worker. The assignments illustrate how political theater is used to shape public perception.

early 1950s Public works offices
6

Repeated failures and prison-visitation cycles

Ideologically under-educated, Pelikán bungles every assignment while remaining tied to a routine of prison visits. The cycle of public failure and private confinement highlights the regime's control over his life. These cycles reveal how the state weaponizes work to manage loyal citizens.

early to mid-1950s Town project sites and Pelikán's visits
7

Orange research institute triumph and reward

Finally, the orange research institute project yields a tangible success and Pelikán is officially rewarded. The victory feels manufactured to affirm the regime's narrative of progress. The moment demonstrates the state's power to stage 'success' and reward loyalty.

mid-1950s Orange research institute
8

The plan to make Pelikán a show-trial witness

All along, the arrangement is to turn Pelikán into a show-trial witness against his old comrade Dániel. The state reshapes him into the archetypal 'Hungarian worker, 1950,' ready to indict a friend for the regime's benefit. The corridors tighten as the plan wires itself into the system.

before trial State offices / courthouse corridors
9

Pre-written testimony prepared for the trial

Before the trial, Pelikán is presented with a pre-written testimony he must memorize to fit the regime's narrative. The coercive preparation reveals the distance between truth and the theatrical courtroom. He senses the manipulation but remains under pressure to comply.

immediately before the trial Trial preparation room
10

Pelikán chooses truth over the script

In the courtroom, Pelikán rejects the memorized lines and tells the truth instead. His act disrupts the regime's carefully staged narrative and unsettles the officials. The moment becomes a personal stand against political manipulation, even as the power structure endures.

during trial Courtroom
11

Punished again: imprisonment after truth-telling

As punishment for his honesty, Pelikán is thrown back in prison. The system demonstrates its readiness to crush dissent and enforce the script it prefers. His fate underscores the brutal consequences of resisting the state's manufactured history.

immediately after trial Prison
12

Stalin's death brings a political thaw and release

Stalin's death triggers a political thaw, and the authorities release Pelikán from confinement. The change reflects shifting power dynamics and a slow loosening of the earlier purges. The release promises an uncertain but possible future beyond the courtroom theater.

1953 Prison
13

Reunion with Virág on the tram

Pelíkán meets Comrade Virág again on a tram, discovering that Virág has lost his former power and influence. The tram becomes a quiet boundary between the old guard and a shifting reality. The encounter seals a sense of distance from the regime and a new personal horizon for Pelikán.

1953–1954 Tram, city
14

Reflection on the past and uncertain future

The film closes with lingering tensions between the underground past and the present state control. Pelikán moves forward free from prison, tempered by his choices and experiences. The final image leaves him navigating a country where truth can collide with power, even as the memory of the show trial lingers.

post-1953 City streets of Hungary

Last Updated: October 09, 2025 at 14:04

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The Witness Summary

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Characters, Settings & Themes in The Witness

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Characters, Settings & Themes in The Witness

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