The Roundup

In the bustling streets of Ho Chi Minh City, the relentless “Beast Cop” Ma Seok‑do is pulled far from his familiar precinct to a foreign land where the rules of law feel as tangled as the city’s traffic. Tasked with escorting a suspect back to South Korea, his mission quickly drifts beyond simple extradition, thrusting him into a world where language barriers, unfamiliar customs, and a restless urban pulse test every instinct he’s honed back home.

The film paints Vietnam with a gritty, kinetic palette— neon‑lit markets, humid alleyways, and the constant hum of motorbikes create a backdrop that feels both exotic and hostile. As Ma Seok‑do navigates this unfamiliar terrain, the atmosphere tightens with an undercurrent of dread: a series of unsettling murders targeting visitors hints at a predator lurking in the shadows, turning the city itself into a maze of suspicion and danger.

At his side is the steady, pragmatic Jeon Il‑man, a fellow officer whose loyalty and calm counterbalance Ma Seok‑do’s ferocious drive. Their partnership, forged in past battles, now faces the strain of cultural dissonance and the pressure of an escalating crisis that respects no borders. Together they must decipher clues that slip through the neon glare, relying on gritty street‑wise tactics while contending with local authorities whose cooperation is anything but guaranteed.

“The Roundup” blends high‑octane action with a procedural edge, delivering a tense, pulse‑pounding chase that feels as much about personal resolve as it is about justice. The film’s tone—sharp, relentless, and tinged with the heat of an unfamiliar city—keeps viewers on edge, wondering how far the Beast Cop will go when the line between hunter and hunted blurs in a land far from home.

Last Updated: November 25, 2025 at 14:43