Theorem

Theorem

Year: 1968

Runtime: 95 mins

Language: Italian

Director: Pier Paolo Pasolini

DramaMysteryFaith and religionHumanity and the world around usIntense violence and sexual transgression

Only 923 spoken words carry a haunting drama. A prosperous Italian family is disrupted by the arrival of a charismatic stranger who inexplicably seduces each member—father, mother, son, daughter—before vanishing. The encounters trigger profound awakenings, yet the family cannot discern his identity or purpose.

Warning: spoilers below!

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Timeline & Setting – Theorem (1968)

Explore the full timeline and setting of Theorem (1968). Follow every major event in chronological order and see how the environment shapes the story, characters, and dramatic tension.

Time period

Location

Milan, Italy, Milanese estate

Set in a Milanese estate in Milan, Italy, the story unfolds within a polished, affluent bourgeois household. The opulent home and its orderly routines provide a stark contrast to the stranger's disruptive presence. The setting functions as a microcosm of postwar Italian society, where appearances mask deeper tensions and desires.

❄️ Drama 👪 Family dynamics 🎭 Psychological 🏛️ Bourgeois society

Last Updated: October 04, 2025 at 15:42

Main Characters – Theorem (1968)

Meet the key characters of Theorem (1968), with detailed profiles, motivations, and roles in the plot. Understand their emotional journeys and what they reveal about the film’s deeper themes.

The Visitor (Terence Stamp)

A mysterious, alluring figure whose presence disrupts the family's routines. He engages in sexual affairs with every member, offering tenderness and attention without seeking anything in return. His arrival exposes hidden desires and unsettles the moral order of the household.

💫 Intruder 🪶 Seduction 🔎 Mystery

Paolo, the Father (Massimo Girotti)

A tormented patriarch who witnesses the stranger's influence. He gradually sheds material ties and, in a climactic gesture, strips at a railway station and wanders naked across Mount Etna, screaming in primal rage and despair. His journey marks the breakdown of bourgeois stability and the search for existential release.

🧭 Authority 💔 Despair 🔄 Transformation

Odetta, the Daughter (Anne Wiazemsky)

The daughter forms a deep, intimate connection with the Visitor, losing her childish innocence about men. Her emotional awakening destabilizes the family dynamics and culminates in a catatonic state institutionalized outside the home. Her arc probes how desire can alter perception and selfhood.

💘 Awakening 🌗 Innocence 🌀 Change

Lucia, the Mother (Silvana Mangano)

The mother becomes sexually liberated through the Stranger's influence, seeking new encounters and fulfillment beyond domestic boundaries. Her transformation challenges traditional maternal roles and exposes the fragility of conventional morality. Her change emphasizes the film's critique of bourgeois propriety.

💃 Liberation 🔥 Desire 🧭 Reassessment

Emilia, the Servant (Laura Betti)

The devoutly religious maid experiences the Visitor's effect and is drawn into profound, paradoxical miracles. After a dramatic arc, she returns to her rural village and performs miracles, culminating in a ritual self-sacrifice that signals regeneration through suffering.

🙏 Faith ✨ Miracles 🕊️ Sacrifice

Pietro, the Son (Andrés José Cruz Soublette)

The son becomes an artist, forming an obsessive fixation on the Stranger and drawing his portrait repeatedly. He eventually leaves the family home to pursue art, embodying a rebellious move away from conventional family life toward personal creation.

🎨 Art 🌀 Obsession 🌟 Rebirth

Lucia's First Lover (Carlo De Mejo)

One of the visitors in the household’s intimate web, his arrival further unsettles the family’s sense of loyalty and desire. He participates in the unfolding sexual dynamics that erode established boundaries.

💘 Romance 🔄 Change 🧭 Tension

Lucia's Second Lover (Giovanni Ivan Scratuglia)

Another companion in the Stranger’s constellation of relationships, his presence adds to the mosaic of desire that challenges the family’s repressed norms.

💘 Romance 🔄 Change 🧭 Tension

Angelino, the Messenger (Ninetto Davoli)

Acts as a herald, signaling the Stranger's arrival and its eventual departure. His presence links the mundane to the uncanny, emphasizing the story's fateful rhythm.

🗣️ Messenger 🔔 herald 🌀 Fate

Emilia, the Second Servant (Adele Cambria)

Part of the household staff, contributing to the texture of servitude and social dynamics that frame the central events. Her role helps illustrate the wider reach of the Visitor’s influence across the domestic sphere.

👥 Servitude 🧭 Social dynamic 🌀 Influence

Old Peasant (Susanna Pasolini)

Uncredited role representing rural roots and the pull of traditional life away from the bourgeois milieu. Her presence contrasts with the urban sophistication of the estate.

🌾 Rural 🕊️ Innocence 🌀 Contrast

Doctor (Alfonso Gatto)

A professional figure who appears in the tapestry of the household’s crisis, providing medical or moral commentary within the unfolding drama.

🧬 Science 🩺 Authority 🌀 Insight

Boy at the Station (Luigi Barbini)

A minor character who embodies the ordinary world outside the estate’s walls, a reminder of everyday life intersecting with the extraordinary events inside.

🧒 Youth 🚉 Transit 🌀 Outside perspective

Interviewer (Cesare Garboli)

An uncredited figure who hints at external commentary or inquiry about the events, underscoring the public gaze upon private turmoil.

🗣️ Interview 👀 Public scrutiny 🌀 Reflection

Last Updated: October 04, 2025 at 15:42

Major Themes – Theorem (1968)

Explore the central themes of Theorem (1968), from psychological, social, and emotional dimensions to philosophical messages. Understand what the film is really saying beneath the surface.

💫 Desire Invasion

The Visitor's arrival punctures the family's surface, exposing repressed longing and erotic curiosity. Each encounter unsettles established roles, blurring the lines between host and guest, lover and family. The film uses these charged interactions to critique the rigid codes of mid-century bourgeois life.

🌀 Identity and Freedom

As affections awaken, characters confront who they are beyond social masks. The Father, Mother, Son, Daughter, and Servants test the limits of propriety and personal fulfillment. The dissolution of established identity becomes a path to brutal honesty, for better or worse.

🔥 Rupture and Release

With the Stranger's departure, each member faces the void left behind. Miracles, artistic awakening, or madness follow, revealing a society unable to contain unbridled desire. The film ends in stark, primal outbursts that shake the foundations of their world.

Last Updated: October 04, 2025 at 15:42

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Theorem Summary

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Theorem Summary

Theorem Timeline

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Theorem Timeline

More About Theorem

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