The Lovers!

In 1972 Manchester, three girls window shop at the George Best Boutique while three boys decide which girl to take out. Geoffrey Scrimshaw unwittingly ends up with Beryl Battersby, as he gets the last choice. A slow, mutual admiration begins as they exchange guarded smiles and tentative conversation.

Geoffrey and Beryl begin a tentative romance, but their families and peers mock their pairing as if the couple is chasing trends. Geoffrey boasters about fake conquests when among his male friends, revealing insecurity. The coupling feels strained by social expectations rather than affection.

Geoffrey wants to be part of the permissive society, while Beryl wants to wait until marriage. This fundamental disagreement casts a long shadow over their budding relationship. Their conversations reveal incompatible priorities beyond mere attraction.

Geoffrey and Beryl visit her mother for a quiet tea, sardine sandwiches shared in the living room. They cuddle by the electric fire after a Scrabble game, trying to project a composed couple image. When the relationship feels too slow, they decide to split.

On the way to meet his parents for his mother's birthday, Geoffrey meets Veronica and goes off with her instead. They go to a strip bar and Veronica invites him back to her flat. Veronica's younger brother Jeremy offers a technical description of 'how to make a baby,' leaving Geoffrey flustered.

At a house party, Beryl and Geoffrey clash as they try to outdo each other with trendy chat-up lines. Edith expounds the values of Women's Lib while smoke fills the room. Beryl removes her bra and tells Geoffrey to burn it, then storms off and helps wash dishes with Geoffrey's nerdy friend.

Beryl phones Geoffrey to say she does not want to ever see him again, but she reveals she will be at the school jumble sale the next day. The tension between them lingers as they plan a possible encounter. The call marks a turning point in the relationship.

Geoffrey tracks down Beryl at the jumble sale and awkwardly invites her to a Huddersfield football match. They both try to engage with each other on the day, but the spark remains faint. The day blends chance meeting with lingering distance.

After the failed attempt to bridge the gap, they climb to the rooftop of the Hotel Piccadilly and discuss communication and happiness. They both realize they don't really like each other as a couple, despite moments of tenderness. The exchange marks a turning point in their relationship.

Meanwhile, Sandra is pregnant and planning to get married, adding another layer of pressure to the social circle. Beryl sits next to Geoffrey at the reception meal, a scene that juxtaposes old romance with new expectations. Splitting up suddenly feels closer as they navigate their separate futures.

Geoffrey mentions going to a 'match' and Beryl wrongly assumes a football game, while it is actually cricket. He tracks her down to an empty football stadium, and they sit together, discussing their relationship with a mix of humor and honesty. The moment reframes their connection and unresolved tensions.

Time jumps to them sitting in the same seats of a crowded stadium, with Beryl gazing at him adoringly as the scene lingers. The sequence ends with the caption 'Not really the End,' leaving their future ambiguous. The film folds their relationship into a lingering, hopeful uncertainty.