The Year Between

In the quiet suburbs of Illinois, a sudden mental breakdown forces a promising college sophomore to confront a reality far beyond the lecture halls she once called home. Clemence Miller returns to a house that feels both familiar and foreign, its once‑comforting rooms now echoing the uncertainty of her new diagnosis. The film settles into a gentle, observant tone, letting the audience feel the weight of everyday life filtered through the lens of someone learning to navigate the unpredictable tides of bipolar disorder.

The story unfolds within the intimate sphere of family, where love is earnest but often clumsy. Sherri, Clemence’s mother, runs a modest craft store and strives to balance practical concerns with maternal devotion, while Don, her father and a schoolteacher, maintains a hopeful optimism that sometimes masks deeper anxieties. Their younger children, Carlin and Neil, each respond in their own way—Carlin wrestling with the fear of inheritance and a drive to excel academically, and Neil moving cautiously around the shifting emotional landscape Clemence creates.

Medical guidance arrives in the form of a calm, steady presence—Dr. Madzen—who offers a diagnosis and a roadmap of treatment that promises structure amid chaos. Yet the true heart of the film lies in the subtle dynamics of adjustment: the quiet negotiations of space, the tentative rebuilding of routines, and the lingering question of how a family redefines itself when one member’s internal world is suddenly amplified for everyone else to see.

Through soft lighting, measured pacing, and a focus on personal rather than plot‑driven drama, the film invites viewers to sit beside Clemence as she begins the delicate work of finding balance, hinting at both the challenges and the quiet moments of hope that lie ahead.

Last Updated: August 09, 2025 at 20:53