The King's Man

The ending of “The King’s Man” reveals that the villain orchestrating a plot to plunge Europe into chaos and war is a man named Morton, who was believed to be Kitchener’s aide but is actually a Scottish rebel seeking revenge for centuries of oppression by England. Throughout the film, Morton (or Shepherd) manipulates various historical figures—such as Rasputin, Mata Hari, and Gavrilo Princip—to serve his plan to destabilize Europe and bring about a world war. By the climax, it is uncovered that Morton is the true mastermind behind the conspiracy, and he confronts Orlando Oxford, the film’s hero. Their fight symbolizes the clash between pro-war nationalism and the desire for peace, with Morton fighting fiercely as someone willing to destroy nations for revenge.

The story’s final twist comes with the revelation that Morton, who secretly infiltrated the British military, acts out of a deep-seated desire for retribution for Scotland’s historic oppression. He embodies a tragic figure whose hatred has turned him into a villain, contrasting with Orlando Oxford’s character, who turns to pacifism and benevolence after experiencing personal loss. When Morton falls in battle, the story takes a darker turn with a post-credit scene hinting at the looming chaos of the Second World War. This scene introduces Adolf Hitler and Jan Erik Hanussen, setting the stage for the next phase in the franchise—where the early seeds of Hitler’s rise and the impending global conflict are explored, suggesting that the cycle of war is about to repeat itself. In the end, the film emphasizes that individuals’ choices—driven by their backgrounds, beliefs, and pain—can steer history toward destruction or peace. The ending underscores the tragic costs of revenge and the importance of moral responsibility, leaving viewers contemplating how the legacy of these events shapes the future of the world.

Last Updated: June 25, 2025 at 09:00