Private Parts

A young woman who moves into the King Edward after stealing Judy’s wallet. Her curiosity about the hotel’s hidden world pulls her into a web of voyeurism, desire, and danger. She proves resourceful and relatively fearless, but remains increasingly unsettled by the hotel’s secrets and the menacing figures who inhabit it.

A brusque, conservative matriarch who runs the King Edward and controls who stays there. She hints at family secrets and reveals a disturbing philosophy about gender and sexuality, ultimately exposing a willingness to do violence to protect her worldview. Her actions frame the hotel as a crucible for morality and manipulation.

An eccentric guest who dresses as a priest and adds a surreal, unsettling flavor to the hotel’s atmosphere. His odd presence helps establish the King Edward as a place where conventional norms are bent, creating tension among the residents and amplifying the sense of mystery.

A handsome photographer who uses a darkroom in the hotel and engages in coercive, sexually charged behavior. He constructs a life-like inflatable doll and embodies the film’s unsettling blend of artistry, desire, and danger. The revelation that George is a cross-dressed woman raised as a man adds a shocking twist about identity and repression.

Cheryl’s former roommate who arrives at the hotel seeking her stolen money. She becomes entangled in the hotel’s dark undercurrents and is murdered, underscoring the peril that threads through the guests’ lives. Her presence highlights themes of trust, betrayal, and the hotel's menace.

Judy’s boyfriend who arrives searching for Cheryl and is attacked by an unseen assailant before meeting a fatal end. His fate adds to the hotel’s rising body count and the sense that the building harbors a predatory force.

A locksmith’s helper who dates Cheryl and invites her to a rock concert. He becomes another victim of the hotel’s violence, and his connection to the building’s secret routes deepens the sense of entrapment within its walls.

A police-appearing figure whose presence signals the arrival of formal investigation into the hotel’s crimes. He represents external authority confronting the hotel’s internal chaos.

A police officer who appears as part of the investigation into the murders surrounding the King Edward. He helps drive the plot toward its police procedural conclusion.

Another officer assisting with the hotel murders, reinforcing the sense of closure through formal handling of the crimes.