Year: 1983
Runtime: 12 mins
Language: English
A musical horror tale that follows two young women as they are pursued through a shopping mall by a relentless cannibal. After he tracks them back to their apartment, the tables turn and the once‑victims become the hunters, delivering a chilling, song‑driven confrontation.
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Read the complete plot breakdown of Possibly in Michigan (1983), including all key story events, major twists, and the ending explained in detail. Discover what really happened—and what it all means.
Two women, Sharon Jill Sands and Janice Karen Skladany, wander an empty department store in search of perfume, when a masked man in a black suit with his mouth agape begins to shadow them. The man, Arthur (masked), is depicted as sharing a disturbing kinship with the women: a taste for violence and a fixation on fragrance, a world built on disguises. In the credits he is listed as “Prince Charming” Bill Blume.
Janice notices Arthur, and the two women flee. On the drive home, Sharon and Janice part ways, while Arthur lingers outside Sharon’s house, waiting for Janice to depart. A voiceover explains that Arthur has worn so many masks that he has forgotten who he is. > He imagined himself a frog, turned into a prince charming.
At Sharon’s home, Janice shoots at several masked figures, each moving to a different spot after she fires. Sharon, asleep, wakes and goes to answer the door; when she sees him, she immediately drops to the ground and calls Janice. While they talk on the phone, Arthur picks up a stone from Sharon’s yard, revealing a rotting mask beneath it, and shatters the bedroom window, breaking in with glass and worms on the bed. Janice fires at more masked figures. As Sharon describes Arthur’s appearance to Janice, he suddenly slips up behind Sharon and says, in a distorted voice, > the better to eat you with, my dear. He kisses her.
Repeatedly forcing Sharon onto the bed, Arthur tells her she has two options: he will either eat her immediately or slowly dismember her, then eat her, claiming to do so for love. Janice fires again, fatally shooting Arthur. Sharon gazes at the now-dead man in disgust.
The two women lay Arthur’s body out atop spread newspapers and begin to dismember him, making soup from his body parts. Nude, they eat his remaining limbs and feed scraps to their dog. As they smoke, Janice notices another masked man outside the window and signals to Sharon as the figure hides. After finishing, they wrap Arthur’s bones in newspapers and stuff them into a trash bag. They place the bag on the curb, and a garbage truck arrives to haul it away, destroying the evidence.
Last Updated: October 09, 2025 at 14:49
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Nightmarish films that use unconventional storytelling to create unsettling dread.If you liked the nightmarish, dreamlike style of Possibly in Michigan, explore more movies that use surrealism and avant-garde techniques to create unsettling horror experiences. These films often feature unconventional narratives and a focus on mood over traditional plot, delivering a uniquely anxious vibe.
Stories in this thread often subvert traditional plot structures, favoring symbolic or impressionistic journeys. The narrative logic is dreamlike, where cause and effect may be ambiguous, and the primary conflict is often psychological or existential, playing out in a distorted version of reality.
These films are grouped by their shared commitment to an avant-garde aesthetic and a surreal, disorienting tone. They create similarity not through specific plot points, but through a common approach to filmmaking that values unsettling atmosphere and psychological unease above all else.
Stories where the victims become the hunters in a darkly satisfying turn.Fans of the vengeful role reversal in Possibly in Michigan will find more movies here where victims, often women, become the hunters. These stories explore dark themes of justice and empowerment through violent confrontation, delivering a cathartic and chilling experience.
The narrative follows a clear arc: establishment of a predatory threat, a period of victimization or pursuit, and a climactic shift where the powerless gain the upper hand. The climax is a confrontation that subverts the initial power dynamic, focusing on the psychological and physical fallout of this reversal.
These movies share a core narrative structure and thematic focus on vengeance and empowerment. The emotional journey from fear to fury, and the catharsis (or ambiguity) of the final confrontation, creates a cohesive and powerful viewing experience that resonates with a specific desire for thematic justice.
Don't stop at just watching — explore Possibly in Michigan in full detail. From the complete plot summary and scene-by-scene timeline to character breakdowns, thematic analysis, and a deep dive into the ending — every page helps you truly understand what Possibly in Michigan is all about. Plus, discover what's next after the movie.
Track the full timeline of Possibly in Michigan with every major event arranged chronologically. Perfect for decoding non-linear storytelling, flashbacks, or parallel narratives with a clear scene-by-scene breakdown.
Discover the characters, locations, and core themes that shape Possibly in Michigan. Get insights into symbolic elements, setting significance, and deeper narrative meaning — ideal for thematic analysis and movie breakdowns.
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Visit What's After the Movie to explore more about Possibly in Michigan: box office results, cast and crew info, production details, post-credit scenes, and external links — all in one place for movie fans and researchers.
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