N.T.R: Mahanayakudu

The film charts the ascent of N. T. Rama Rao, Nandamuri Balakrishna as a dynamic political force who forms the Telugu Desam party, sketches a bold flag, and outlines a sweeping agenda aimed at reuniting and renewing faith among the people of the erstwhile Andhra Pradesh. To carry the campaign across the state, he entrusts the repairs of an old Chevrolet van to his son, Kalyan Ram (who plays Nandamuri Harikrishna), and names the vehicle Chaitanya Ratham. He begins a grueling journey with Harikrishna at the wheel, while his son-in-law Bharath Reddy stands by as a loyal companion, navigating the road and the growing momentum of a political movement that promises dignity and opportunity to every Telugu family. The film sets a tone of relentless ambition, peppered with moments of humor, personal sacrifice, and a charisma that seems to rally ordinary citizens to a larger dream.

As Rama Rao’s momentum becomes a threat to the central government, the political climate tightens. Indira Gandhi, Supriya Vinod in the role, pressures the state by calling early elections and appointing Kotla Vijaya Bhaskara Reddy as the new Chief Minister, shifting the balance of power and forcing Rama Rao to adapt quickly. In the face of this strategic challenge, Nadendla Bhaskar Rao, played by Sachin Khedekar, drafts a slate of former MPs and MLAs with questionable records, a move Rama Rao refuses to endorse and promptly replaces with a younger, more energetic wave of candidates. The contest grows fierce as Rama Rao’s resolve to reshape governance collides with entrenched interests in Delhi and across the Congress party, led by a wary Indira Gandhi who fears the scale of his appeal.

The film then introduces the political chessboard around the Rising Star and his arch-nemeses. Rama Rao’s leadership is challenged by the emergence of Nara Chandrababu Naidu, a high-profile figure who is depicted as the son-in-law of the rival camp and who makes a bid to carve out his own space in the political spectrum. Rana Daggubati embodies Chandrababu Naidu, portraying a strategist who recognizes Rama Rao’s potential while pressing his own political calculus. In parallel, Rama Rao’s governing philosophy begins to take shape through tangible reforms and imaginative programs: a guaranteed two kilograms of rice for the poor, a more equitable share of property for daughters, the abolition of the Patel-Patwari system, the introduction of the Mandal system to improve administration, and the much-anticipated Telugu Ganga project. The film presents these policies as both a moral reorientation and a practical blueprint for social uplift, designed to consolidate public trust and widen the reach of the new party.

Amid the political drama, personal lives and loyalties are tested. Basavatarakam, Vidya Balan, Rama Rao’s wife, is diagnosed with cancer, and the couple’s private crisis intersects with the public fight for reform. Their health struggles lead them to the United States, where Rama Rao confronts still more pressures and temptations to compromise his mission. Back home, Bhaskar Rao presses ahead with backroom maneuvers in an effort to dethrone Rama Rao, while Rama Rao, steadfast in his resolve, refuses to yield to corruption or fear. The no-nonsense determination of Rama Rao to secure his mandate puts him on a collision course with those who would rather see him sidelined.

The film intensifies as Rama Rao returns with renewed vigor. He reactivates Chaitanya Ratham and mobilizes the broadest possible base of public support, enlisting other Chief Ministers and anti-C Congress factions to stand with him against procedural hurdles and political manipulation. Chandrababu Naidu becomes a pivotal ally, providing protection to MLAs in secret hideouts to prevent horse-trading and to demonstrate that Rama Rao can still command a majority. The climactic push moves to Delhi, where the constitutional process pushes toward a confidence vote. The President, Zail Singh in the narrative, is portrayed as the person who ultimately legitimizes Rama Rao’s effort, demanding a clear demonstration of majority, and Rama Rao rises to the occasion with a unified bloc of MLAs and sympathetic political partners.

The struggle culminates in a dramatic sequence of political brinkmanship. Bhaskar Rao attempts to delay assembly sessions and provoke Rama Rao into missteps, but the people’s movement grows louder and more determined. Indira Gandhi, facing a groundswell of public discontent, shifts course and withdraws essential support, paving the way for Rama Rao’s restoration. When the dust settles, Rama Rao is sworn in again as Chief Minister, and the film closes on a deeply personal note: a triumphant but tired Rama Rao returns to his wife, only to experience Basavatarakam’s peaceful passing in his arms, a quiet, intimate epilogue to a saga of public life and private endurance.

Throughout the narrative, the film balances sweeping political drama with intimate moments of courage and conviction. The portrayal touches on the tension between populist promises and the complexity of governing, showing how Rama Rao’s leadership style—characterized by direct action and a willingness to challenge the status quo—transforms the politics of his state. The ensemble cast adds texture to this epic arc: the film threads together the ambitions of Harikrishna, Venkateswara Rao, and Naidu, while grounding the larger-than-life events in the human costs of leadership, loyalty, and the relentless pursuit of a vision that seeks to redefine a region’s political identity. The final image—Basavatarakam’s passing in Rama Rao’s embrace—serves as a somber reminder of the personal stakes behind public power, and it leaves the audience with a nuanced reflection on what it means to lead a movement that aspires to change the course of a nation.

Last Updated: November 22, 2025 at 16:00