Le Amiche

Clelia is a strong-willed, independent woman who returns from Rome to Turin to supervise the opening of a branch of a Roman fashion salon. She navigates the social constraints of Turin's circle, feels a pull toward Carlo, and ultimately prioritizes her professional career and autonomy over marriage.

Cesare is the architect in charge of the salon’s opening and Momina's current affair. He clashes with Clelia over the project, and his relationship with Momina exposes power dynamics within the group. He also mocks Lorenzo, highlighting tensions between art and social status.

Nene is a successful ceramics artist who lives with Lorenzo and moves in the same social circle as Clelia. She experiences shifting affections and ultimately must decide whether to hold onto Lorenzo or pursue her own ambitions, including a potential move to New York.

Lorenzo is an unrecognized painter living with Nene, whom Rosetta falls for. He grapples with his artistic career and emotional commitments, ultimately returning to Nene and choosing stability over a new life with Rosetta.

Rosetta is a young woman who returns from the hospital after a suicide attempt and enters the social circle with a longing for meaning. Her feelings for Lorenzo drive the plot, and her despair culminates in a tragic end, revealing the emptiness behind the glittering surface.

Carlo is Cesare’s assistant from a working-class background. His presence highlights the social divide between Clelia and her circle, as well as the friction between desire and social boundaries.

Momina is a socialite who lives separated from her husband and has changing affairs. Her role in the group illustrates the complex web of friendships, loyalties, and romantic entanglements among Turin’s elite.

Mariella is the coquettish member of the circle, whose demeanor and actions reflect the social performance and gender expectations within the group.