Jubilee

A fearless ringleader within the group, Amyl Nitrate lectures others about history and channels it into violent, anarchic acts. She wields charisma to mobilize the group and revels in a rebellious femininity. Her presence anchors the group’s ideological extremes and performative chaos.

A sex-hating anarchist who escalates violence within the circle. Bod revels in cruelty, strangling a monarch-like symbol and driving the gang’s most brutal actions. Her impulsiveness and ferocity push the group toward increasingly dangerous acts.

One of the incestuous brothers, Sphinx is flamboyant and enigmatic, contributing to the group’s provocative dynamic. His presence adds a layer of theatrical perversity and subversive charm to the unfolding chaos.

The other incestuous brother, Angel participates in the group’s complex relationship web and volatile interactions. His role emphasizes themes of sexuality, performance, and boundary-pushing behavior within the subculture.

A young musician drawn into the scene, Kid embodies the lure of fame and the lure of commercial opportunities. His band’s discovery by a promoter marks the intersection of art and exploitation within the countercultural milieu.

A former artist who becomes entwined with the male and female members of the group. Viv represents the artistic impulse within the chaos and participates in exchanges that reveal the era’s entanglement of art, sexuality, and power.

An ex-soldier who navigates the violent world around the group. Max’s experiences in the violent public sphere echo the film’s meditation on war, authority, and the erosion of social order.

The reigning monarch who becomes a symbol of the old order. Bod’s brutal act of killing Elizabeth II and stealing the crown serves as a stark turn in the film’s critique of power and spectacle.

A figure who appears only through the Elizabethan frame of reference and the film’s mythic past, underscoring the collision of eras that drives the ending’s nostalgia-filled return.