How to Lose Friends & Alienate People

In the cut‑throat world of New York’s elite magazine scene, a wide‑eyed British reporter arrives with notebook in hand and ideals still intact. Sidney Young trades the familiar fog of London for the relentless glare of skyscrapers, hoping that a chance encounter will turn his polemical ambitions into a coveted byline. The city pulses with ambition, and his earnest desire to be taken seriously collides instantly with a culture that values flash over substance.

The newsroom is a polished stage where personalities clash as loudly as headlines. Clayton Harding, the charismatic head of the publishing empire, offers an invitation that seems both generous and precarious. Around him, Alison Olsen balances sharp wit with a weary skepticism, while Lawrence Maddox runs the editorial machine with a demanding, almost authoritarian flair. Eleanor Johnson, the sharp‑tongued publicist, enforces an invisible rulebook that dictates what can ever see the light of day. Amid this hierarchy, Sophie Maes, a rising actress with a magnetic presence, adds another layer of allure and tension. Each interaction tests Sidney’s naive optimism, pushing him to navigate a maze of expectations where a single misstep can reverberate across glossy pages.

The film unfolds as a satirical comedy of manners, bathed in the neon‑lit decadence of Manhattan’s media elite. Its tone tiptoes between self‑deprecation and biting observation, spotlighting the absurdity of a world that rewards bravado over honesty. As Sidney fumbles through cocktail parties and editorial meetings, his unfiltered honesty becomes both his greatest asset and his most explosive liability, hinting at a journey where personal integrity may be the hardest story to sell.

Last Updated: August 10, 2025 at 09:07