D.O.A.

In the rain‑slick streets of a city that never sleeps, the world of numbers and contracts feels as cold and unforgiving as the steel towers that dominate the skyline. Frank Bigelow, a seasoned accountant whose life has been built on meticulous ledgers and quiet routines, moves through this landscape with the precision of a surgeon, never imagining that the next entry in his own ledger could be his own demise. The film sets a noir‑tinged tone, blending the hum of bustling office towers with the low‑key whispers of a hidden undercurrent that thrives behind polished facades.

A routine day turns lethal when Frank discovers a subtle but fatal toxin coursing through his bloodstream, leaving him with a chilling window of only twenty‑four hours before the poison claims him. The knowledge that his clock is ticking transforms his methodical mind into a desperate engine of investigation, pulling him out of spreadsheets and into the shadowy corridors of a world he has only ever observed from a distance. The urgency of his situation injects a relentless, breathless pace into every scene, as the city’s ordinary rhythm gives way to a frantic race against time.

By his side is Paula, his diligent assistant‑girlfriend, whose loyalty and sharp wit become his most valuable assets. Their partnership, forged in the calm of daily office life, is tested and reshaped as they sift through clues, question motives, and navigate a network of powerful players who prefer their secrets remain buried. The chemistry between them adds a human counterpoint to the looming dread, blending moments of quiet intimacy with the sharp edge of suspicion.

The story unfolds as a fast‑paced, noir‑style chase through boardrooms, back‑alleys, and hidden dealings, where every lead hints at a deeper web of corruption. With each step, Frank and Paula draw closer to an answer that could illuminate the darkness—or consume them both—leaving the audience perched on the brink of revelation, caught in the tension of a race that may never end.

Last Updated: December 06, 2025 at 16:29