Year: 1981
Runtime: 97 mins
Language: English
Director: Frank De Felitta
Bubba, an intellectually disabled man, is falsely accused of assaulting a young girl. To flee, he disguises himself as a scarecrow and hides in a cornfield, where four self‑appointed vigilantes track him down and shoot him. Though the men are later acquitted for lack of evidence, they soon become the victims of a relentless stalker who hunts them down one by one.
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In a small town in the Deep South, the unlikely friendship between Bubba Ritter, [Larry Drake], a large but gentle man with a mental disability, and Marylee Williams, [Tonya Crowe], a keen and vulnerable young girl, stirs unease among the locals, especially the brooding Otis Hazelrigg, a harsh and resentful postal worker [Charles Durning]. When Marylee is mauled by a vicious dog, Hazelrigg quickly assumes Bubba is to blame and quickly fashions a lynch mob that includes Skeeter Norris, a gas station attendant [Robert F. Lyons], and Philby and Harliss Hocker, two farmers. In a desperate attempt to protect him, Bubba’s mother disguises him as a scarecrow and sets him in a nearby field, hoping to keep him safe. But the mob’s bloodhounds zero in on the scent, and Bubba is gunned down in cold blood by the vigilantes. Later, learning that Marylee survived thanks to Bubba’s intervention, Hazelrigg tries to cover his tracks by placing a pitchfork in Bubba’s dead hands, making it seem like Bubba attacked them all.
When the case goes to trial, the vigilantes are released for lack of concrete evidence, aided by Hazelrigg’s perjury, and the town breathes a tense relief that never quite quiets. Marylee recovers, and at night she slips away to the Ritter house to seek Bubba. Mrs. Ritter, unable to tell Marylee the brutal truth, instead tells her that Bubba has gone away. Marylee confronts this lie and, in a haunting moment, tells her caretaker that Bubba is not gone, only “playing the hiding game.” The sense of dread lingers as the story shifts toward eerie signs: a scarecrow reappears in another field, then vanishes, as Hazelrigg and his allies grow increasingly paranoid about who is orchestrating the strange events.
On a Halloween night during a church party, Marylee is confronted by Hazelrigg, who presses for a confession about Mrs. Ritter’s supposed plotting. Instead, Marylee reveals that she knows what Hazelrigg and his friends did to Bubba and bolts. A security guard prevents further confrontation, and Philby notes the scarecrow’s appearance, only for it to disappear when the trio investigates. That very night, Hazelrigg breaks into Mrs. Ritter’s home, frightening the family so badly that she suffers a fatal heart attack. To cover the deed, he stages a gas leak that destroys the house, leaving the townspeople to wonder whether it was mere accident or something more sinister. The local D.A. Sam Willock [Tom Taylor] grows suspicious as the tragedy compounds.
The next day, Philby is tormented by noises in his hog pen and an ominous presence in his barn; when he investigates, he is trapped in a grain silo as a conveyor belt springs to life and seals him inside, an avalanche of grain burying him alive. Hazelrigg and Skeeter Norris then suspect Bubba’s hand in these misfortunes, and Hazelrigg proposes that Bubba must be avenging himself. They go to Bubba’s grave, and Skeeter, opening the coffin, realizes the body is still inside. Hazelrigg silences him with brutal violence, smashing Skeeter’s skull and sealing the grave with him inside.
Driving while intoxicated, Hazelrigg encounters Marylee in the road and pursues her into a pumpkin patch. A plowing machine in the field starts up on its own as he closes in, and the terrified man—now convinced that Sam Willock is in the machine—fleees. He stumbles into the now-armed scarecrow, which bears Bubba’s pitchfork-tipped weapon in its grasp. Impaled and mortally wounded, Hazelrigg collapses as the scarecrow—possessed by Bubba’s spirit—appears to Marylee and offers her a final, spectral token of revenge: a flower. Marylee smiles as Bubba’s haunting presence looks down on her and whispers a silent blessing. She quietly murmurs a farewell to the life she had known, then resolves to teach Bubba a new game tomorrow.
“a life for a life.”
In the aftermath, the town must reckon with the consequences of fear and vengeance, and the story closes on a chilling note: a child’s gaze fixes on the scarecrow now standing sentry, a silent emblem of Bubba’s return and the enduring power of a selfless act.
Last Updated: October 09, 2025 at 14:43
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Where the wronged dead return to deliver brutal, otherworldly justice.If you liked the relentless, otherworldly retribution in Dark Night of the Scarecrow, this thread gathers movies where vengeful spirits or supernatural forces punish the guilty. Find similar tales of justice from beyond the grave, featuring tense stalker plots and morally bleak conclusions.
The narrative follows a clear pattern: an initial, often brutal, act of injustice creates a vengeful supernatural entity. This entity then methodically targets the perpetrators, turning their lives into a waking nightmare. The story is driven by a sense of inevitable doom and explores themes of guilt, punishment, and the blurred lines of justice.
These films are grouped by their shared focus on supernatural retribution as a central plot device. They create a specific, chilling vibe where the horror stems not from random evil, but from a deliberate, targeted punishment, blending themes of crime and consequence with supernatural horror elements.
Tensions boil over in isolated communities, where past sins demand a bloody price.For viewers who enjoyed the small-town vigilante justice and ensuing supernatural payback in Dark Night of the Scarecrow, this collection features similar horror and thriller stories. Discover films where isolated communities become pressure cookers for revenge, buried secrets, and violent reckonings.
The narrative typically unfolds in an isolated community where a facade of normality hides a dark secret. When this secret is threatened or an act of mob justice occurs, it triggers a chain of violent events. The setting itself becomes a character, fostering a sense of claustrophobia and inescapable fate as the past comes back to haunt the present.
These movies share a distinct atmosphere created by their rural or small-town settings, which intensify feelings of isolation and paranoia. The combination of vigilante violence, buried secrets, and the subsequent reckoning forms a cohesive narrative and tonal pattern that feels uniquely grim and haunting.
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