Year: 2012
Runtime: 90 mins
Language: Spanish
Director: Alejandro Gamboa
A high school graduation trip to Puerto Vallarta takes an unexpected turn as love, friendship, and desire intertwine. The students find themselves navigating a whirlwind of experiences, confronting illusions and forbidden temptations. As the adventure unfolds, teenage friendships are tested, and the characters grapple with understanding themselves and facing the uncertainties of the future. Charm and disillusionment highlight the complexities of growing up and discovering what truly matters.
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Nicolas, a quiet and introspective ten-year-old, faces the school’s ski trip with a heavy sense of unease about fitting in with the other boys. To protect him, his overcautious father chooses to drive him to the ski resort alone rather than sending him on the group bus. The journey takes a troubling turn when they pass the scene of a serious car accident: police are positioned ahead and traffic is at a standstill. In the tension of the moment, Nicolas’ father grows anxious and clams up, tucking away loose items in the car trunk. Among these tucked-away things sits Nicolas’ travel bag, left behind as they hurry to keep moving. By the time the bus leaves with the rest of the class, Nicolas realizes his bag is still in the car, and he ends up at the resort without spare clothes or toiletries, feeling exposed and unprepared.
What follows is a sense of growing distance and worry. Nicolas’ father does not return to retrieve the bag, and attempts to reach him fail. The absence gnaws at Nicolas, and he begins to have disturbing daydreams in which his father has been involved in a car crash. These cool, clinical visions feed his anxiety and add a weight to every moment of the trip.
On the slopes, Nicolas is taken under the wing of another pupil, Hodkann, who becomes a recent confidant. In an effort to feel protected, Nicolas fabricates a remarkable story: he claims his father is a secret agent and that there are dangerous people after him. He persuades Hodkann to keep the claim secret, creating a fragile narrative of danger that only he seems to believe. This supposed danger becomes a counterpoint to his loneliness, a way to feel seen even if it is through a web of fabrication.
Nicolas’ deepest fears surface in quieter moments as well. He worries about wetting the bed, and the fear intensifies when he ends up in a bed just above Hodkann and borrows his pajamas, since he doesn’t have his own. Night after night, he fights sleep, hoping to stave off embarrassment. When sleep comes, a moment of panic arises as he wakes from a dream and believes he has wetted his pants. He slips out to clean up, then, seeing the cold, he steps outside. The freezing air closes in, and he ends up locked out, seeking shelter in the ski instructor’s car. He drifts toward sleep in the unfamiliar vehicle, and in the morning he is discovered there and taken inside for a feverish examination.
Later, Nicolas takes a break in a café while the other boys continue skiing. It’s a tense moment, because news arrives that a different boy, René, is missing. The sense of danger lingers in the background, punctuating Nicolas’ already fragile experience of the day.
That night, Nicolas’ dreams grow darker. He envisions being at a theme park with Hodkann and the instructor and boards a giant caterpillar ride. In the dream, his little brother is in the care of another seemingly friendly man, and as the ride proceeds, the brother is handed over to the same stranger who lures him away toward a white van. The nightmare sharpens the memory of a real boundary Nicolas was not allowed to cross: a similar ride had once been refused because it would mean leaving his brother in a stranger’s care. The dream’s force is intensified by the memory that his father warned him about stranger danger, ironically in a way that foreshadows a darker truth.
Flashbacks begin to reveal deeper problems. Nicolas’ father, it becomes clear, is not merely anxious but unstable. His wrist bears a deep scar that hints at a previous suicide attempt, underscoring a pattern of troubling behavior and behavior patterns that Nicolas could not fully understand at the time.
As the story unfolds, a devastating truth emerges: Nicolas’ father was not involved in a car accident as Nicolas had daydreamed, but rather abducted and harmed children, likely including the boy the police are searching for. In a crucial turn of events, Hodkann—who broke his promise to keep the father’s supposed secret agent status—describes the father’s car to the police during an investigation. This misjudgment ultimately proves crucial: it helps the authorities connect the father to the disappearance and leads to his arrest.
The film closes with a move toward resolution. Nicolas is driven home by Patrick, a supportive figure who has learned of the father’s arrest. Patrick chooses not to disclose the full truth to Nicolas right away, instead telling him that something terrible has happened and that he should hear it from his family. As they drive, the world outside continues to react: newspapers and TV reports begin to fill the air, and Patrick does what he can to shield Nicolas from the full glare of the media while the family navigates a painful and uncertain future.
Last Updated: October 03, 2025 at 06:48
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Stories where a child's fragile world is shattered by a dark adult secret.If you liked the way Class Trip depicts a child grappling with a devastating family secret, you'll find similar films here. This thread gathers movies where young protagonists' worlds are warped by hidden trauma, psychological distress, and the uneasy process of uncovering painful truths.
The narrative typically follows a child or teenager whose seemingly normal life is underpinned by a lie or a hidden trauma. The story unfolds through their subjective, often anxious perspective, as clues and events slowly chip away at their fabricated reality, culminating in a moment of devastating revelation that forces them to mature prematurely.
Movies are grouped here for their shared focus on a child's psychological journey, the contrast between innocence and a dark underlying truth, and the heavy emotional weight of discovering traumatic realities about family or oneself. They create a specific, unsettling mood of anxious discovery.
A persistent sense of anxiety builds relentlessly towards an ambiguous conclusion.Fans of the tense, anxious atmosphere in Class Trip will appreciate this collection. We've gathered films that master a slow, steady build of psychological dread, where the primary conflict is internal and the mood is consistently unsettling, leading to heavy and often ambiguous endings.
The plot is often secondary to the deepening psychological state of the protagonist. The story moves at a deliberate, steady pace, allowing anxiety and dread to simmer and intensify. Key reveals are psychological rather than action-oriented, and resolutions are frequently ambiguous, focusing on the lasting emotional impact rather than neat closure.
These films are united by their specific emotional mix: a dominant tense tone, a steady pacing that allows dread to build, high emotional intensity, and a focus on psychological distress. They prioritize mood and internal conflict over fast-paced plot, creating a cohesive viewing experience for those seeking deeply atmospheric and unsettling stories.
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Track the full timeline of Class Trip with every major event arranged chronologically. Perfect for decoding non-linear storytelling, flashbacks, or parallel narratives with a clear scene-by-scene breakdown.
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