And Soon the Darkness

In the rolling hills of the French countryside, a sun‑drenched road stretches between quiet villages, its hedgerows and fields whispering of stories long hidden. The film moves with a measured, almost breathless rhythm that recalls Hitchcock’s masterful suspense, letting the landscape itself become a character—beautiful, serene, and subtly uneasy. Light filters through the trees, casting shadows that suggest more than just the passing of clouds, and every roadside café feels both welcoming and oddly out of place.

Jane and Cathy are two young nurses from Nottingham who set out on a cycling holiday eager for freedom and adventure. Their friendship is a study in contrast: one is practical and cautious, the other impulsive and daring, and their banter creates a lively chemistry that carries the audience through the early, carefree miles. A fleeting encounter with a solitary stranger adds a thin thread of intrigue, hinting that the seemingly open road may conceal hidden currents.

When Cathy suddenly vanishes, the tone shifts from light‑hearted exploration to urgent desperation. Jane is thrust into a frantic search across the same tranquil scenery, now tinged with a palpable sense of danger. The locals she meets—quiet innkeepers, wary villagers—offer cryptic warnings that amplify the feeling that trust is a fragile commodity in this isolated setting. Each clue she uncovers feels like a piece of a larger, unsettled puzzle, prompting her to question not only the people around her but the very safety of the countryside she once adored.

The film sustains a tense, atmospheric mood, letting suspense build through lingering looks, silent roads, and the ever‑present possibility that any encounter could turn the tide. It is a slow‑burning thriller where the ordinary becomes extraordinary, and the search for a missing friend becomes a psychological journey through doubt, suspicion, and the thin line between innocence and peril.

Last Updated: December 04, 2025 at 23:10