A Very Long Engagement

In the bleak aftermath of World War I, a shattered France teeters between ruin and the fragile hope of peace. Across bomb‑scarred towns and the silent expanse of no‑man’s‑land, the world feels both intimate and vast, its muted colors echoing the sorrow and stubborn resilience of those who survive it. The atmosphere is heavy with the lingering echo of artillery, yet softened by the quiet determination of ordinary people who refuse to surrender their humanity to the war’s endless grind.

Mathilde arrives as a luminous thread of optimism in this somber tapestry. Engaged to Jean, she clings to the belief that love can transcend the battlefield’s cruelty. Her optimism is not naïve—its foundation is built on an unshakable conviction that a missing lover is more than a statistic, a distant memory, or a rumor. This inner fire propels her forward, turning the ordinary act of searching for a lost fiancé into a poignant pilgrimage through a nation’s collective wound.

Along her path, she encounters a private investigator whose own war‑torn spirit bears the scars of disillusionment. Their partnership is an uneasy dance of hope meeting cynicism, each drawing the other into a deeper understanding of what lies beneath the official narratives of loss. The investigator’s world‑weary perspective provides a stark contrast to Mathilde’s relentless optimism, forging a dynamic that hints at the larger moral ambiguities hidden within the military’s handling of the missing.

Together they navigate a landscape where every whispered rumor, every half‑remembered story, and every silent grave speaks to the profound impact of conflict on individual lives. The tone remains a delicate balance of melancholy and quiet resolve, inviting the audience to contemplate the limits of faith in a world where sorrow is as common as dust—yet where the human spirit still dares to reach for something brighter.

Last Updated: August 10, 2025 at 10:37