In 1987, Qader, a bricklayer living in Sardasht, Kurdistan, Iran, faces a devastating turn when his city is targeted by Iraqi forces. With his wife expecting their fourth child, he finds himself caught in the midst of a horrific war crime as Iraqi air fighters deploy mustard gas bombs. The attack has profound and lasting consequences for Qader, his family, and the community.
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In the summer of 1987, Qader Molanpour lives a hard-won, peaceful life in a Kurdish border village, sharing it with his pregnant wife, Maryam, and their three young children. The village’s quiet is shattered when an Iraqi fighter, returning from the chemical bombardment of Sardasht, drops one last bomb on the settlement, leaving the community wounded and scarred. [Qader] rushes to pull his family to safety, carrying his wife and children toward a hospital as the chaos of war closes in around them.
The scene shifts to a hospital that is overwhelmed and ill-prepared for the surge of wounded and expectant mothers. Maryam, eight months pregnant, cannot be moved quickly enough, while the couple’s three children are separated and sent to different cities in a desperate bid to save them from the fallout of the attack. [Qader] fights to shield them, clinging to the hope that each moment will bring relief, yet the consequences of exposure take a toll with devastating speed.
One by one, the children succumb to the severe injuries and the harsh realities of their environment. [Qader] keeps the losses secret from Maryam, wanting to spare her the pain even as the toll grows heavier. The burden of grief weighs on him as he tries to stay strong for his wife and unborn child, carving out a space of life in the midst of unbearable sorrow.
A baby is finally born, but tragedy continues to shadow the family. Maryam dies during the delivery, leaving [Qader] to face the newborn alone. In the wake of her death, [Qader] confronts the doctor, blaming him for not steering the pregnancy toward a safer outcome. The doctor reveals a painful truth: Maryam was fully aware of the dangers, yet chose to press on for the sake of life. She had already decided on a name for the child, Zhina, a cradle of meaning—“life”—to carry forward from the loss around her. This revelation deepens [Qader]’s grief and reframes his mission: to honor Maryam’s sacrifice by protecting the baby she named.
Yet the hospital’s disarray does not end with Maryam’s death. In the chaos, newborns are moved to other cities, and [Qader] discovers that his last child may not be safe in the turmoil of a system strained by war. The newborns’ transfers erase the fragile possibility of reuniting the family, and [Qader] faces the heartbreaking possibility that he may never hold his last child again.
As years pass, the war’s shadow stretches across continents. In The Hague, Netherlands, a court asks him to testify about the human costs and the weapons of mass destruction that shaped his world. In that formal setting, he speaks for the long-lost voices of his family, calling out to [Zhina] in his mind—a plea for connection across time and distance that remains unfulfilled. He continues to search for his daughter’s presence, hoping to hear a trace of her voice and feel her near, even as the distance between them widens.
Ultimately, [Qader]’s life comes to a quiet close in the snowy winter of 2016. He dies never having seen [Zhina] again, but his memory persists as a record of the choices, losses, and stubborn resilience that defined his family’s struggle. The film traces this lifelong search—one man’s attempt to reconcile past trauma with the promise of life—and it invites viewers to bear witness to the human costs of war, the endurance of love, and the elusive nature of closure in the face of irreplaceable absence.
Last updated: February 25, 2026 at 08:21
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Maryam was fully aware of the dangers posed by the chemical exposure, yet she chose to continue the pregnancy and give birth. The doctor reveals that she had already decided to name the baby Zhina, meaning "life," before her death. She viewed the birth as an act of hope and resistance against the tragedy surrounding her, wanting to bring new life into a world devastated by war.
Maryam's decision to name her daughter "life" hints at her philosophical stance on perseverance amid destruction.
Qader kept the deaths secret to spare Maryam from additional grief during her difficult pregnancy. He wanted to protect her from the devastating news while she prepared to give birth, bearing the weight of the losses alone. This decision reflects his desperate attempt to shield her from further trauma in an already catastrophic situation.
The secret creates a heavy burden for Qader that compounds his grief throughout the film.
The children suffered severe injuries and exposure from the mustard gas bombs dropped by Iraqi forces. Despite Qader's desperate efforts to keep them alive in the makeshift hospital, one by one they succumbed to their injuries and the harsh conditions. The chemical exposure proved fatal for all three children aged seven to eight.
The bombing of the village marks the beginning of the family's tragic downfall.
After Maryam died during delivery, Qader went to the hospital to fetch Zhina, but the facility was overwhelmed by the chaos of war. Newborns were transferred to other cities for safety, and in the ensuing confusion, Qader lost track of his last child. The hospital system failure meant he could never reunite with his daughter.
The hospital's disarray during the bombing sets the stage for the final separation.
Years after the attack, Qader was called to testify at the International Court of Justice in The Hague, Netherlands, about the use of chemical weapons and weapons of mass destruction used during the Iraqi bombardment of Sardasht. His testimony gave a personal voice to the human cost of those weapons, representing the victims of the attack.
The courtroom scene connects personal tragedy to international war crimes.
Zhina means "life" in Kurdish. Maryam chose this name before her death as a powerful statement, naming her daughter after the very concept she was fighting to preserve amid so much death and destruction. The name represents hope, resilience, and the continuation of life despite overwhelming tragedy.
Maryam's choice of name foreshadows the film's central theme of choosing life in the face of annihilation.
Maryam died during the delivery of her fourth child. Already weakened by the effects of the chemical exposure from the bombing, her body could not survive the stress of childbirth. The doctor explains that she was fully aware of the risks but chose to proceed with the birth anyway, sacrificing herself to bring new life into the world.
Maryam's death completes the tragic arc of loss that began with the bombing.
Qader buries his wife Maryam alongside their three children beneath a walnut tree in the village. This act creates a physical memorial for his entire family in one sacred place. The walnut tree becomes a symbol of grief, memory, and the rootedness of his loss in the land he cannot abandon.
The burial location anchors the family's story to the village throughout Qader's lifetime.
Qader spent decades searching for Zhina after she was transferred to another city during the hospital chaos, but he never found her. The wartime displacement of newborns, lack of proper records, and the passage of time made it impossible to trace her. He died in 2016 without ever seeing his daughter again or learning her fate.
The unresolved search for Zhina defines Qader's remaining years.
In summer 1987, Iraqi forces targeted the Kurdish city of Sardasht in Iran with mustard gas bombs, a chemical weapon that causes severe respiratory damage, blisters, and often death. This was one of the first large-scale chemical attacks on a civilian population, devastating the city and killing thousands, including many in the border village where Qader's family lived.
The attack sets the entire tragedy in motion.
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