Up!

Up!

Year: 1976

Runtime: 80 mins

Language: English

Comedy

Adolf Hitler has assumed the alias Adolf Schwartz and is living hidden in California when he is abruptly killed by an unidentified shooter. At the same time a mysterious woman arrives in a nearby town, drawing the attention of many residents. While the murder goes largely ignored, curiosity surrounding the newcomer intensifies.

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Timeline & Setting – Up! (1976)

Explore the full timeline and setting of Up! (1976). Follow every major event in chronological order and see how the environment shapes the story, characters, and dramatic tension.

Time period

Location

Northern California, Miranda, Salmon Creek

The story unfolds around a Bavarian-inspired castle in northern California and the nearby town of Miranda, giving the film a remote yet socially charged backdrop. Outdoor locales like Salmon Creek provide the setting for crucial confrontations and escapes. The juxtaposition of a secluded, rustic landscape with a decadent, performative social scene underpins the movie’s tone and plot twists.

🏰 Bavarian-style castle setting 🌲 Rural northern California 🗺️ Small-town atmosphere

Last Updated: October 04, 2025 at 18:49

Main Characters – Up! (1976)

Meet the key characters of Up! (1976), with detailed profiles, motivations, and roles in the plot. Understand their emotional journeys and what they reveal about the film’s deeper themes.

Adolf Schwartz (Edward Schaaf)

Hiding in a Bavarian-style castle, this figure exudes paranoia and predatory charisma. His orgy and eventual murder by a ravenous piranha frame him as a decadent villain whose power collapses in grotesque fashion.

🧭 Villain 🗝️ Power 🧨 Violence

Margo Winchester (Raven De La Croix)

An undercover cop sent to investigate the Miranda crime, she navigates a web of sex, violence, and shifting loyalties with cool resolve. Her resourcefulness drives the pursuit of truth amid a morally gray landscape.

🕵️ Detective 💃 Femme Fatale 🧭 Investigations

Homer Johnson (Monty Bane)

The sheriff who hides a murder and exploits his position to manipulate others. His flirtatious, self-serving behavior compounds the town’s chaos, culminating in a fatal confrontation.

🛡️ Sheriff ⚖️ Moral Ambiguity 🗯️ Power

Leonard Box (Larry Dean)

A boastful, privileged lumberman whose violent act against Margo triggers a chain of betrayals and power plays, ending in his death during a clash sparked by revenge and self-preservation.

🤵 Privilege 🗡️ Violence 🧭 Power

Alice (Janet Wood)

Diner owner and Paul’s wife; driven by jealousy, she is revealed to have murdered Adolf. She engages in pursuit of Margo before being shot by Paul in a climactic turn, and is later apprehended with Paul.

👩‍💼 Diner Owner 🗝️ Jealousy 🧨 Betrayal

Paul (Robert McLane)

Alice’s husband who is entangled in multiple affairs, including with Adolf and Margo. His actions fuel jealousy and manipulation, and he is disarmed and captured by Margo after a tense confrontation.

💔 Infidelity 🧭 Affair ⚔️ Conflict

The Headsperson (Candy SAMPLES)

A participant in the orgy that punctuates the social circle around Adolf Schwartz, contributing to the film’s satirical, hedonistic set pieces within the crime plot.

👗 Hedonism 🎭 Performance 🧭 Satire

Pocohontas (Foxy Lae)

A Native American character connected with Homer, included as part of the film’s provocative exploration of sexuality and cross-cultural imagery.

🪶 Indigenous imagery 🧭 Relationships 💃 Seduction

Limehouse (Su Ling)

One of the women involved in Adolf’s circle, whose presence signals the film’s blend of exploitation and satire within the social milieu.

🌺 Seduction 🧭 Social circle 🌀 Morality

The Greek Chorus (Kitten Natividad)

A surreal narrator who appears between scenes to provide exposition and commentary, adding meta-context and foreshadowing through stylized lines.

🎭 Chorus 🗣️ Narration 🧭 Meta-commentary

Rafe (Bob Schott)

A lumberjack who rapes Margo; his presence foreshadows the film’s brutal clashes, culminating in a deadly showdown with Homer.

🪓 Violence 💢 Aggression 🏷️ Assault

Chesty Young Thing (Marianne Marks)

A provocative figure within the ensemble whose presence underscores the film’s unapologetic exploitation aesthetic and satirical tone.

👙 Seduction 🃏 Satire 🗽 Debauchery

The Ethiopian Chef (Elaine Collins)

A participant in the social milieu surrounding Adolf Schwartz, representing the film’s provocative collage of characters and cultures.

🍽️ Dining 🧭 Cultural collage 🌀 Provocation

The Commissioner (Ray Reinhardt)

A local authority figure who appears within the town's power networks, contributing to the satirical portrayal of law and governance.

🗺️ Authority 🧭 Politics 🧨 Corruption

Gwendolyn (Linda Sue Ragsdale)

A supporting member of the ensemble who reinforces the film’s sexual and social dynamics that propel the plot forward.

👗 Ensemble 🧭 Social dynamics 🌀 Extravagance

Last Updated: October 04, 2025 at 18:49

Major Themes – Up! (1976)

Explore the central themes of Up! (1976), from psychological, social, and emotional dimensions to philosophical messages. Understand what the film is really saying beneath the surface.

🕵️ Undercover

The narrative centers on hidden identities and undercover operations within a tense town. A female cop infiltrates the local crime network, using deception as a tool to uncover truth while navigating shifting loyalties. The theme explores how appearances mask intentions and how personal desires intersect with professional duty. The blend of pulp and satire highlights the fraught nature of pursuit and discovery.

⚖️ Corruption

Authority figures manipulate the system to shield themselves, creating a culture where violence and murder can be overlooked for the sake of status and money. The sheriff’s complicity demonstrates how power can bend justice and erode accountability. The plot uses these dynamics to critique governance and community order. The tonal mix of satire and crime emphasizes the fragility of legal boundaries.

🎭 Sexual Politics

Desire and power dynamics drive many key moments, with relationships serving as leverage and battlegrounds. The film treats sex as a currency that shapes trust, betrayal, and social standing. Performative scenes and the Greek Chorus commentary blur lines between reality and theatricality, intensifying the critique of gender roles. This theme uses provocative imagery to question norms around sexuality and control.

Last Updated: October 04, 2025 at 18:49

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Up! Summary

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