The Monster

In a bustling Italian city where daily life hums with ordinary chores and hidden anxieties, a chilling presence looms: a vicious serial sex killer is at large, turning the streets into a stage for whispered fear. The atmosphere is a blend of gritty realism and off‑beat humor, the kind of setting that makes every glance feel like it could be the one that changes everything. Within this uneasy backdrop, a modest man becomes the center of attention, not because he seeks the spotlight, but because circumstance keeps thrusting him into it.

Loris is a landscape gardener who also outfits shop windows, a man whose ambitions are as humble as his day‑to‑day routine—he dreams of learning Chinese to climb the ladder at a department store. He lives in a cramped building, juggling overdue rent and a string of small debts that keep his mind occupied. His earnest attempts to navigate work, language lessons, and social misunderstandings often land him in awkward, seemingly compromising situations. To the police, those moments read like breadcrumbs pointing toward a dark truth, even though a kinder view suggests they are merely the product of bad luck and innocent misinterpretation.

Enter the police force’s unconventional response. Jessica Rossetti is assigned to shadow Loris, adopting the role of his roommate to observe him from the inside. Her mission is guided by the eccentric police psychologist Paride Taccone, whose theories about criminal impulses add a layer of surreal strategy to the investigation. The trio’s interactions crackle with tension: Jessica’s professional resolve meets Taccone’s quirky methodologies, while Loris remains unaware of the scrutiny that follows his every move.

The film rides on this uneasy dance of perception versus reality, using witty dialogue and a slightly absurd tone to keep the audience guessing. As the investigation deepens, the city’s ordinary rhythm collides with the unsettling possibility that the most unlikely person might be entangled in something far beyond his control, inviting viewers to question how easily innocence can be mistaken for guilt.

Last Updated: November 25, 2025 at 15:16