The Lift

In the sleek glass tower rising over Amsterdam, a brand‑new office complex promises modern efficiency, yet its most essential feature—the elevators—begins to behave in ways that defy ordinary engineering. The building’s polished corridors and polished façades hide a subtle, unsettling pulse, turning everyday vertical travel into a source of quiet dread. The atmosphere is tight‑knit and clinical, but beneath the surface a faint, almost invisible menace lurks, suggesting that the very infrastructure designed for convenience may harbor something far stranger.

Felix Adelaar is a pragmatic lift technician whose job is to keep the shafts humming smoothly. Methodical and meticulous, he approaches each malfunction with a blend of seasoned expertise and a growing, uneasy curiosity. As the inexplicable accidents mount, his professional detachment fades, pulling him deeper into a maze of technical puzzles and personal strain. At home, his marriage to Saskia Adelaar strains under the pressure, while a chance encounter with ambitious journalist Mieke de Beer adds a probing, off‑beat perspective that pushes Felix to question the limits of his own knowledge.

The film walks a line between sleek corporate thriller and claustrophobic horror, bathed in the cold fluorescence of office spaces and the humming silence of empty shafts. Unspoken corporate secrets, experimental micro‑technology, and an eerie sense that the elevators may possess a will of their own create a constant, low‑key tension. As Felix delves further, the ordinary act of moving between floors becomes a psychological gamble, hinting that the safest route out of the building might lie not in steel and cables, but on foot—down a stairwell that leads away from something far more sentient than a simple machine.

Last Updated: December 04, 2025 at 16:18