The Name of the Game Is Kill

The Name of the Game Is Kill

Year: 1968

Runtime: 84 mins

Language: English

Director: Gunnar Hellström

Thriller

A desert family extends a warm welcome to a lone traveler, inviting him to share their isolated home. As the night unfolds, the stranger gradually learns that the family's generosity hides a dark, unexpected purpose, leading to a shocking and unforgettable conclusion that viewers are asked to keep secret.

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The Name of the Game Is Kill (1968) – Full Plot Summary & Ending Explained

Read the complete plot breakdown of The Name of the Game Is Kill (1968), including all key story events, major twists, and the ending explained in detail. Discover what really happened—and what it all means.

A man resting in a rural southwest setting is bludgeoned with a replica Venus de Milo statue and his body dragged to an open fire.

Symcha Lipa is a Hungarian-born drifter who happens to be resting at the side of a dusty Arizona road. He is picked up by Mickey Terry, who drives him to her home and offers him a shower before he goes on his way. [Mickey Terry] lives with her mother and two sisters, but only the older sister, Diz Terry, is there at the time. The sisters have a brief argument, with Diz Terry implying that [Mickey Terry] picked up Lipa to be her latest sexual partner. They are joined by the youngest sister, Nan Terry, who has just been expelled from school for her latest incident of misbehavior, and the mother Mrs. Terry.

The next morning when Lipa leaves the Terry home, he is run down by a car coming up behind him. He is knocked unconscious and spends three days in hospital, but suffers no lasting injuries. The investigating sheriff, Sheriff Fred Kendall, cautions him about the Terry household, telling him mysterious things have happened there, including the disappearance of Julio Lamberto, a man who spent time with the Terry women.

Despite the warning, Lipa returns to the Terry home. Only Diz Terry is there at the time. They have a long talk and Diz Terry tells him about the time years before when her mother killed her abusive father. Later, greatly agitated, she tries to kiss Lipa, saying she wants to save him from Mickey. He easily moves away from her.

When the other three women return home, Lipa asks Mickey Terry if he can work in the family business in return for room and board. His offer is accepted. Mickey Terry goes to her lover and they too have a long conversation. Mickey tells him she has fallen in love with him, but he tells her his capacity for love was lost in the aftermath of the Hungarian Revolution of 1956. Mickey talks to Lipa about her father, and also mentions she had been involved with Julio Lamberto. Even though Lipa had previously told Mickey she was moving too fast in their relationship, they become lovers and decide to move to San Francisco.

When they tell the rest of the family their intentions, the mother wishes them luck. They plan to leave the next day. It is almost Halloween and it will soon be Nan’s birthday, so they decide to have a party that night to celebrate everything. Early in the festivities Nan Terry goes missing. But she is soon found, she and Diz Terry were merely working together to scare Lipa and Mickey.

That night Lipa chats, separately, with the mother and Nan. In all, the four women tell very different stories of what happened to the father. They all say he was artistically accomplished, specializing in Venus Di Milo replicas. The women also mention their interactions with Julio Lamberto.

The next day, Lipa and Mickey leave in the car, but have to return shortly after, as Diz had predicted they would, when Mickey realizes she does not have her money. When Mickey goes upstairs to look for it, Lipa is lured to a back room and knocked unconscious with a statue by Nan. She and Diz drag him to a furnace and open the grate and prepare to force his body in. Mickey and the mother arrive just in time to prevent it. As they struggle, Lipa regains consciousness. Nan, while calling out that Lipa must die, grasps at the mother’s head and pulls. The mother is wearing a wig which Nan yanks off, and she is revealed, to the shock of all the sisters, to actually be their father.

Diz Terry, overwhelmed, babbles that she told Nan to kill Lipa because he was going to cause the family to separate. Diz Terry then says that she hated her mother and killed her years ago. The father supports her version, saying that his wife was a wicked woman with low morals. Nan Terry confesses to having killed Julio Lamberto.

The father tells Mickey to go start her new life with Lipa in San Francisco. They drive off. The father returns to Diz and Nan and comforts then, and says they should have some tea. He removes three of the four pills he keeps in a locket around his neck, and drops one in each of the cups of tea he has prepared for them and for himself. While doing so he says, “It’s never too late to be a good father”.

Out on the highway, Lipa asks Mickey what actually happened to her mother. The camera freezes on Mickey’s face and her enigmatic, possibly sinister smile.

It’s never too late to be a good father.

Last Updated: October 09, 2025 at 09:29

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Sinister Family Secrets Movies like The Name of the Game Is Kill

Stories where welcoming homes hide dark, disturbing family dynamics.Explore movies like 'The Name of the Game Is Kill' where a warm welcome masks a dark reality. If you liked the unsettling discovery of a disturbed family, you'll find similar thrillers here featuring psychological manipulation, hidden agendas, and homes that are anything but safe havens.

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The narrative pattern typically involves an isolated setting, often a single home or small town, where a newcomer is gradually exposed to conflicting stories and bizarre behavior. The central conflict arises from the protagonist's attempts to uncover the truth while their own safety becomes increasingly precarious, leading to a violent or psychologically shattering climax.

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Movies are grouped here for their shared focus on the horror that can exist within domestic spaces. They create a specific kind of dread by subverting the idea of family as a sanctuary, instead portraying it as a cage of secrets and moral decay, making the viewer question the nature of trust and identity.

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Stories in this thread unfold at a deliberate pace, layering clues and shifting perspectives to create mystery and doubt. The plot is often character-driven, focusing on the psychological impact of events on the protagonist. The journey is typically one of discovery that leads to a climactic moment of psychological shock or an ambiguous resolution that lingers with the viewer.

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These movies are united by their methodical approach to suspense and their exploration of psychological themes. They share a similar vibe of creeping paranoia and intellectual dread, appealing to viewers who enjoy being slowly drawn into a character's deteriorating sense of safety and certainty.

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Characters, Settings & Themes in The Name of the Game Is Kill

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Characters, Settings & Themes in The Name of the Game Is Kill

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