Taxi Blues

In the waning years of the 1980s, Moscow feels both cramped and expansive, its streets humming with the clang of construction and the faint echo of distant jazz. The city’s stark Soviet backdrop is softened by neon signs and the occasional wail of a saxophone, suggesting a world where official rigidity meets an undercurrent of restless creativity. Nightfall turns the familiar avenues into a stage for unexpected encounters, and the air carries a mixture of melancholy and dry humor that sets the tone for a story that is as much about the city’s pulse as it is about the people who navigate it.

Ivan Shlykov is a taxi driver whose life has been measured in fares, traffic lights, and an unwavering adherence to Soviet principles. He moves through the city with the steady rhythm of a man accustomed to order, his demeanor a blend of toughness and quiet resignation. In contrast, Alexey Seliverstov is a blues saxophonist whose music trembles with longing, his aspirations drifting far beyond the gray façades that surround him. He carries the spirit of a wanderer, seeking meaning in every note while wrestling with the stark realities of his environment. Their first crossing feels almost accidental, yet it hints at a larger conversation between two very different worlds.

The film gently unfolds as these two strangers spend a single, chaotic night together, their contrasting perspectives sparking both tension and unexpected camaraderie. The humor is understated, often emerging from cultural quirks and the absurdity of a city in transition. As they share the cramped space of a taxi, the audience senses a deeper exploration of friendship, ambition, and the ways in which art and duty can collide—or harmonize. The nocturnal journey becomes a modest playground for philosophical musings, leaving viewers eager to discover how such an unlikely bond might reshape both lives, all while the Moscow night hums its own bluesy refrain.

Last Updated: September 17, 2025 at 13:56