Public Wedding

Pop Lane is the aging con man and ringleader behind the scheme. He is a fast-talking, improvisational schemer who treats people as steps in a ladder to profit. He masterminds the fake wedding to salvage their failing carnival venture, showing charm plus ruthlessness. As the plan spirals, his priorities shift between family loyalty and personal survival.

Flip is Pop's daughter, initially swept up in the scam but not blind to opportunity. Resourceful and ambitious, she navigates the scheme while forming a genuine connection with Tony. She pushes for fair share of profits and ultimately drives the decision to settle the situation honestly.

Nick is one half of the con duo, a slick schemer who engineers the wedding plot and bankroll moves. He thrives on manipulation and quick, opportunistic bets, often skating on the edge of ethical boundaries. His schemes push the plot toward both profit and trouble.

The Deacon serves as the ceremonial figure in the fake wedding, a stand-in judge who embodies the theatricality of the con. His presence adds a layer of mock-solemnity to the deception, while his role in the scam reveals the opportunistic nature of the operation.

A starving artist and stand-in groom, Tony brings a genuine artistic sensibility to the group. He falls for Flip and envisions turning art into opportunity, planning a philanthropic traveling fellowship to support young artists. His relationship with Flip adds depth to the moral tension between love and profit.

Tessie is the fan dancer recruited to pose as an amnesiac bride, the manipulated pawn in the con. Her involvement injects a showgirl element into the scheme, and she later colludes in the plan to balance the profits and leverage the situation.

Joe is Pop's wheeler-dealer partner, a pragmatic and unscrupulous co-conspirator who catalyzes the marriage ruse and the subsequent chase for cash. His actions propel the heist’s momentum and its eventual reckoning.