PCU

Tom Lawrence visits Port Chester University, a campus where fraternities are outlawed and political correctness dominates daily life. His accident-prone nature earns him instant enemies among several student groups. He spends much of the day dodging a growing mob while navigating campus politics.

The Pit operates out of a lively, disheveled house led by Droz, with seniors Gutter and Mullaney and freshman Katy. They throw wild, anti-PC parties in clear defiance of campus norms and protests. The Pit's unrestrained lifestyle becomes a flashpoint for campus conflict.

Two factions clash: The Pit and Balls and Shaft, groups pushing to restore the outlawed Greek system. Rand McPherson, a member of Balls and Shaft, becomes their de facto spokesperson and target for the Pit's resentment. The campus edges toward an all-out turf war as each side mobilizes.

Port Chester's president, Garcia-Thompson, aggressively pushes sensitivity training and multiculturalism. She floats controversial plans, like Bisexual Asian Studies having its own building and changing the campus mascot to a whooping crane. Her high-handed policies escalate tensions with nearly every group on campus.

Garcia-Thompson secretly allies with Balls and Shaft to remove The Pit from campus and hand control of the house to Rand. She triggers a damage bill against The Pit, threatening eviction and homelessness if unpaid. The looming threat forces The Pit into a desperate bid to save their home.

The Pit decides to throw a big fundraiser to raise the money needed to stay in their house. The Womynists protest the party flyers and the event’s contents, while the residents plot to steal alcohol and rally students. The plan eventually draws in a broader campus crowd.

George Clinton and Parliament-Funkadelic headline the fundraiser, drawing a flood of students to the party. The music turns what began as a fragile fundraiser into a campus-wide spectacle. The performance helps raise enough money to keep The Pit afloat for the moment.

Garcia-Thompson retaliates by locking The Pit residents out and expelling them from the house, undoing their fundraising success. Tom later reveals to Droz that he overheard a Board of Trustees discussion about the President’s PC changes harming the school’s legacy and publicity. The administration’s clampdown heightens campus tensions.

At the bicentennial ceremony the next morning, Droz and former Pit residents liberate the campus' Whooping Crane and spark an impromptu protest. The act demonstrates that the student body can resist authority even as The Pit is shut down. The event shifts the campus mood toward defiance of top-down control.

Following the demonstrations, the Board of Trustees fires Garcia-Thompson, signaling a rare victory for student sentiment over politically correct policy. The move signals a shift in campus governance and emboldens dissenting groups. The administration's fall reshapes the power balance on campus.

Rand McPherson launches a sexist, racist and homophobic tirade from the podium, insulting other student groups. Droz secretly uses the mic to broadcast Rand's rant to the entire campus, exposing the intolerance at Balls and Shaft's core. The moment becomes a campus-wide reckoning about bias and accountability.

Tom decides to stay and enroll at PCU, signaling his commitment to the college. The Pit regains control of their house and moves back in, marking a return to campus life despite ongoing tensions. The decision sets the stage for a fragile equilibrium on campus.

Tom leaves campus by bus, resolved to attend PCU. On the ride home, he spots Rand McPherson, who is now the target of students and being chased across campus. The film closes with Rand occupying the position Tom started in, highlighting the cycle of campus chaos.