Ouija: Origin of Evil

In the heat‑baked summer of 1967, Los Angeles teems with flickering neon, restless ambition, and a cultural fascination with the unseen. Amid the city’s glitz and its shadowed back‑streets, a modest house becomes a makeshift stage for a family’s desperate livelihood. The atmosphere is thick with retro charm and a subtle, creeping dread, as the line between performance and true darkness begins to blur.

Alice Zander, a widowed mother with a sharp wit and a pragmatic streak, runs a séance business alongside her two sisters, turning grief into a cash‑cow for the household. Their daughters, Paulina and her younger sister Doris, are both collaborators and reluctant participants, each embodying a different facet of teenage rebellion and curiosity. The trio’s dynamic crackles with a blend of sibling banter, maternal protectiveness, and the uneasy thrill of pretending to commune with spirits for the benefit of skeptical clients.

When the family’s theatrical rituals unintentionally invite something far more authentic than their carefully crafted illusion, the house’s once‑playful ambience shifts to an oppressive stillness. The youngest daughter, Doris, finds herself the focal point of an unseen presence that seems to seep into the very fabric of the home. The surrounding community, from curious neighbors to the local priest Tom, senses the change, adding layers of tension to the already fraught family ties.

The film paints a portrait of a period‑specific world where economic necessity collides with supernatural curiosity, all underscored by a moody, grainy aesthetic that feels both nostalgic and unsettling. As the Zander family grapples with forces they never intended to summon, the story balances intimate domestic drama with the looming threat of an ancient darkness, promising a chilling exploration of what happens when a façade of control gives way to true terror.

Last Updated: August 10, 2025 at 03:39