Oh, Men! Oh, Women!

The film is set in two primary locations: a New York psychiatrist's office where professional and social dynamics unfold, and a luxury cruise liner at sea where romantic entanglements escalate toward the finale. The contrast between urban New York life and the glamorous travel setting reinforces the film's lighthearted, theatrical comedic tone.

The luxury liner serves as the setting for the movie's dramatic finale and escalating romantic chaos. It is where the competing suitors pursue Myra Hagerman amid heightened emotional stakes, and where the love triangle reaches its climax, emphasizing the theatrical and romantic comedy tone.

The central theme is a classic love triangle involving a psychiatrist, a movie star's wife, and competing suitors. Each character's desires collide with loyalties and past relationships, creating humorous misunderstandings. The tension hinges on who will choose whom and how commitment is tested amid competing romantic ambitions.

Alan Coles is a New York psychiatrist and the fiancé of Myra Hagerman. He becomes entangled in the love triangle when his patient Grant Cobbler confesses love for Myra, while his patient Mildred Turner reveals her husband once dated Myra. He attempts to mediate the romantic chaos while navigating his own emotional confusion.

Mildred Turner is a bored and frustrated housewife married to movie star Arthur Turner. She seeks therapy from Dr. Coles to address her marital dissatisfaction. Learning that her husband once dated Myra Hagerman adds to the emotional tension, driving her to seek the affection she desires from her husband.

Myra Hagerman is the woman at the center of the romantic entanglements, the former flame of multiple characters including Arthur Turner and the current fiancée of Dr. Alan Coles. She becomes the focal point of competing affections, with three men pursuing her hand throughout the story.

The movie explores how therapy and self-knowledge complicate romantic relationships. As a psychiatrist treats his patients, his own romantic confusion emerges through therapy sessions that reveal hidden feelings and insecurities. The professional analysis becomes personal revelation, showing how understanding oneself can complicate love.

Arthur Turner is a movie star and the husband of Mildred Turner. He was a former romantic interest of Myra Hagerman, adding complexity to the love triangle. His unpredictable behavior, including arriving drunk at Myra's and engaging in confrontations, contributes to the comedic chaos and drives the plot toward the shipboard finale.

Public persona and private desires clash throughout the film as social expectations push characters toward marriages and affairs. The lovers conceal true intentions, leading to confrontations and mistaken assumptions. The shipboard setting heightens the stakes before relationships reach a turning point, emphasizing how reputation controls behavior.

Grant Cobbler is a neurotic new patient of Dr. Coles who claims to be sleepless and heartsick over Myra Hagerman. He becomes the third man in the love triangle, openly professing adoration for Myra and intensifying the jealousy and competition among the suitors. His comic pursuit adds to the film's romantic chaos.