My Side of the Mountain

In the quiet months of summer, Sam Gribley, a thoughtful twelve‑year‑old with a reverence for Thoreau, decides to trade the bustle of Toronto for an experiment in self‑reliance. When his parents’ promised trip falls through, he gathers a few essentials, hops on a bus, and heads toward the Laurentian‑type wilderness of eastern Canada, hoping to prove to himself that he can survive alone, tend to a modest algae study, and discover what it truly means to live independently.

The film settles into a gently lyrical wilderness, where moss‑clad streams and a still pond become the backdrop for Sam’s fledgling homestead inside a dead tree. His only companion on this venture is a clever raccoon, whom he names Gus, offering moments of humor and quiet partnership as they navigate the practical challenges of gathering firewood, water, and shelter. The tone is contemplative, blending the crisp, pine‑scented air with a soundtrack of rustling leaves that mirrors Sam’s internal curiosity.

Along the way, Sam encounters the small, welcoming town of Knowlton and its residents, who quietly shape his adventure. A kindly librarian, Miss Turner, supplies him with books that fuel a growing fascination with falconry, while an itinerant folk singer, Bando, shares stories, songs, and practical wisdom that broaden Sam’s view of the forest’s rhythm. Their interactions are warm and understated, emphasizing the gentle exchange of knowledge and the shared appreciation of simple, natural pleasures.

Through these relationships and the solitary rhythm of forest life, the movie paints a portrait of a young dreamer testing the boundaries between imagination and reality. The atmosphere remains hopeful and introspective, inviting the audience to wonder how far a determined heart can go when it steps away from the familiar and leans into the quiet teachings of the wild.

Last Updated: December 04, 2025 at 23:14