Mask of Desire

In the bustling yet ancient lanes of Kathmandu, a modest two‑room flat houses a quiet family whose everyday rhythm is marked by the soft clang of prayer bells and the steady hum of the city beyond. The husband, Dipak, once a football‑playing soldier, now serves as a uniformed guard for a prosperous business, carrying a calm, almost youthful steadiness that steadies his home. His wife, Saraswati, a devoted mother of two, is gentle and steadfast, yet a lingering yearning for a son casts a tender shadow over their otherwise contented life.

The film paints Kathmandu not only as a physical setting but as a living tapestry of ritual and belief, where shrines stand beside cracked walls and the line between the mundane and the divine is porous. Within this world, the couple’s longing draws them to a quiet riverbank shrine, where whispers of a lesser‑known goddess promise answers to whispered hopes. The promise of a miracle stirs both hope and unease, hinting at the fragile balance between faith and the weight of expectation.

Their search for solace leads them to Gita, a revered jhankrini—a spirit‑medium healer whose own past is etched with trauma and resilience. Her presence brings an aura of both comfort and disquiet, as she navigates the demands of the divine and the pull of human connection. The trio’s interactions are charged with unspoken desires, quiet admiration, and an undercurrent of spiritual tension that suggests deeper currents beneath the surface of everyday life.

As the three characters orbit each other, the film maintains a tone that is simultaneously intimate and haunting, weaving ordinary domestic moments with the reverent rituals that shape their world. The lingering sense of longing—whether for a child, redemption, or a glimpse of something larger—creates an atmosphere ripe with curiosity, inviting viewers to contemplate how belief, desire, and duty intertwine in the shadows of Kathmandu’s sacred streets.

Last Updated: October 23, 2025 at 16:23