Kiss, Kiss! (2023) Plot Summary & Ending Explained

The ending of "Kiss, Kiss!" reinforces the film’s disturbing core, leaving viewers with a stark reminder that beneath its shiny surface, it promotes toxic masculinity, misogyny, and predatory behavior. Throughout the movie, the protagonist Tomek embodies these traits—cheating, stalking, and harassing women, all wrapped up in a shallow comedy that masks its contempt for women and unhealthy relationships. By the end, the film depicts Tomek's complete moral decay, culminating in a scenario where his boss, Midas, cynically dismisses everything as a joke by shooting a homeless man and claiming that the film will win an Oscar. This grotesque finale highlights the film's core failure: it refuses to critically examine or condemn the misogynistic behavior it glorifies. Instead, it revels in it, suggesting that persistence, stupidity, and harassment can somehow lead to success. There is no redemption, no lesson learned, only a disturbing celebration of toxic masculinity disguised as a comedic ending. This conclusion makes it clear that "Kiss, Kiss!" is not just a poorly-made film but a deeply problematic one that actively promotes harmful stereotypes, leaving no room for meaningful reflection or change. It ultimately dismisses any hope for progressive or respectful relationships and offers only a bleak, cynical view that misogyny is acceptable or even endearing.