Kimi

In a near‑future Seattle where sleek tech campuses glow against rain‑slick streets, a cutting‑edge smart speaker called Kimi promises to map human desire with unsettling precision. The device’s success hinges on a constant stream of data, filtered and fine‑tuned by a small team of remote analysts. Their work is quiet, invisible, and driven by a corporate push toward an imminent public offering that could reshape how everyday lives are mediated by algorithms.

Angela Childs is one of those analysts, a talented engineer whose expertise is matched only by the anxiety that keeps her confined to a modest apartment across the street from her partner, Terry. The pandemic has deepened her agoraphobia, turning the walls of her home into both sanctuary and prison. Her world is a delicate balance of code, headphones, and the soft glow of a monitor, punctuated by brief, intimate moments with Terry that sustain her amidst the isolation.

When a routine scan of Kimi’s data stream reveals an anomaly that feels out of place—something that hints at a far darker reality than the harmless queries the speaker was designed to handle—Angela’s curiosity collides with corporate pressure. Her supervisors, intent on keeping the product’s rollout on schedule, brush off her concerns, leaving her to wrestle with a growing sense that she may have stumbled onto something that the company does not want exposed. The tension between her professional rigor and the creeping dread of stepping beyond her door creates a pulse‑quickening incitement to act.

Compelled to follow the thread of the mystery, Angela faces a choice: remain in the safety of her apartment and let the unknown linger, or summon enough courage to breach her self‑imposed boundaries and confront a world that feels both familiar and threatening. The film’s tone weaves quiet, tech‑savvy intrigue with a palpable psychological suspense, inviting viewers to wonder how far one will go when the line between digital observation and personal danger begins to blur.

Last Updated: August 10, 2025 at 00:22