Ingrid Goes West

In a world where every moment is curated for an endless scroll, Ingrid Thorburn drifts through the glittering haze of social media, feeling the sharp sting of exclusion as she watches others celebrate lives that never quite feel hers. Consumed by a relentless desire to belong, she becomes fascinated by the flawless façade of a rising influencer, whose online presence radiates confidence, aesthetic perfection, and a lifestyle that seems both attainable and painfully distant. The film paints Los Angeles as a sun‑splashed backdrop where ambition and emptiness mingle, turning glossy selfies into silent cries for validation.

The tone balances biting satire with a nervous, almost tender melancholy, inviting viewers to question the price of digital admiration. Taylor Sloane embodies the seductive allure of influencer culture: effortlessly charming, perpetually polished, and ever‑present on a feed that feels like a parallel universe. Yet behind the filtered images lies an undercurrent of performance, hinting at what might be hidden when the cameras stop rolling. The narrative watches the two women from opposite ends of the spectrum—one yearning, the other seemingly secure—collide in a fragile dance of obsession, friendship, and self‑discovery.

Against this glittering yet unsettling backdrop, Dan Pinto, an aspiring screenwriter with his own quirks and ambitions, offers a grounding presence that highlights the contrast between imagined online identities and the messy reality of human connection. Their intersecting paths suggest that the search for authenticity may be as chaotic and unpredictable as the city itself. As the story unfolds, the audience is left to wonder how far someone will go to bridge the gap between a curated persona and the longing for genuine belonging, all while the shimmering veneer of LA’s influencer scene slowly reveals its cracks.

Last Updated: August 10, 2025 at 03:10