Sir Richard McCreadie, a self-made billionaire, faces a crisis as his retail empire is threatened. To restore his image, he plans an extravagant 60th birthday celebration on the island of Mykonos. However, the lavish party becomes a backdrop for resurfaced rivalries and long-buried secrets. As guests arrive, Richard is forced to examine the sacrifices and consequences of his ambition and wealth.
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The film takes a non-linear approach to the life of Sir Richard “Greedy” McCreadie, a billionaire fashion mogul. After a recent disastrous appearance at a government inquiry into financial and ethical abuse within the fashion industry, McCreadie has decided to publish his memoirs and has hired Nick, a mild-mannered journalist, to ghostwrite it for him. Nick’s research into McCreadie’s background leads to flashbacks charting the billionaire’s rise from relatively humble (though still affluent and privileged) circumstances as an outcast and rebellious student at an unnamed British public school, to his rise in the 1970s and 1980s as a powerful high-street fashion merchant, to the government hearing. It becomes clear that, despite McCreadie’s self-image as a successful and quick-witted businessman with multiple celebrity friends, much of his wealth is in fact based on ruthless exploitation and financial corruption, including a reliance on sweatshops in Southeast Asia for his fashion lines, tax avoidance, asset stripping and similar ethically questionable financial dealings.
The present of the film focusses on the build-up to McCreadie’s 60th birthday party, a Gladiator-themed celebration on the island of Mykonos, which is intended to allow McCreadie to relax after the interrogations. However, even there matters are not progressing smoothly; the centrepiece of the celebrations, a Roman arena where a mock-gladiatorial fight against a lion will be staged, is poorly constructed because lax local builders rely mainly on undocumented immigrant labour, and the lion itself is quite passive, much to McCreadie’s chagrin. Furthermore, many of McCreadie’s celebrity guests are distancing themselves from him due to the damage to his reputation, and a crowd of Syrian refugees have constructed a makeshift camp on the public beach adjoining his property and refuse to leave. Tensions also exist among his family, including his ex-wife Samantha, who acts as the public CEO of his family and for whom he continues to have lingering attraction despite having subsequently married Naomi, a much younger trophy wife; his daughter Lily, who is starring with her boyfriend Fabian in a reality-TV show being filmed alongside the celebrations; and his neglected son Finn, who holds an Oedipal obsession with replacing his father.
As he writes the memoir, Nick struggles with his job of whitewashing McCreadie’s public image in light of both his unethical business practices and, on a personal level, his rude and intimidating personality. He forms a friendship with Amanda, one of McCreadie’s personal assistants, who is also struggling with the ethical dilemmas of working for McCreadie. After breaking down when McCreadie reveals that he wants his employees to wear Roman slave outfits to his party, Amanda reveals to Nick that her mother was an employee in one of McCreadie’s sweatshops in Sri Lanka, but was fired by the manager when she was no longer physically able to work to McCreadie’s requirements. She was subsequently killed after being forced to work in another sweatshop which eventually caught fire due to a lack of safety precautions.
On the night of the party, McCreadie cons the Syrian refugees into working for him with a three-card monte trick after his local employees down tools. During the lavish celebrations, some of the refugee children steal silverware and are confronted by McCreadie’s employees, but Amanda manages to persuade their uncle to return the stolen items. Simultaneously, Finn steals some cocaine from Naomi and doses the lion’s food with it. After Samantha rejects his advances, McCreadie drunkenly wanders into the arena and encounters the lion in its cage. Amanda, crossing paths with him, on impulse releases the lion, which mauls McCreadie to death in a drugged frenzy. Nick witnesses this event and helps Amanda escape without being discovered.
Following McCreadie’s death, he becomes subject to numerous flattering eulogies, and Nick’s project becomes a hagiographic biography. Finn takes over his father’s role in the business, and it is implied that he will be just as duplicitous if not worse. Nick and Amanda meet and agree to keep Amanda’s role in McCreadie’s death secret; Amanda tells Nick that she views her action as not so different from the indirect role McCreadie played in her mother’s death. Amanda goes to work at her new job: sewing at a Leicester sweatshop. The film ends with facts about exploitation and inequality within the fashion industry being shown over the credits.
Last Updated: January 13, 2026 at 11:18
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Darkly comic stories exposing the ethical rot beneath immense wealth and power.A collection of movies like Greed that delve into the dark side of ambition and fortune. If you enjoyed the cynical take on corporate greed and the moral compromises of the wealthy, this thread highlights similar stories of ethical corruption and social commentary.
The films in this thread typically follow a central figure whose pursuit of wealth leads to significant moral compromises. The narrative often contrasts their opulent present with the unethical actions of their past, building a critical portrait of corruption that rarely ends well for the character, though the system often continues unchanged.
These films are grouped by their shared darkly satirical tone, critical focus on wealth and exploitation, and the heavy emotional weight of their themes. They create a similar feeling of unease and judgment towards their protagonists and the systems they represent.
Stories where characters face the fallout of their choices, but change is elusive.Find more films like Greed that end on a bittersweet note, where a character's downfall doesn't necessarily break the corrupt cycle they helped create. These stories offer a poignant look at the limits of personal accountability within larger, stubborn systems.
These stories follow a character arc that culminates in a moment of personal crisis or downfall, providing a sense of dramatic closure. However, the ending feel is bittersweet or bleak because the narrative emphasizes that the corrupt system or pattern of behavior continues, often symbolized by another character taking up the same mantle.
They share a bittersweet or bleak ending feel combined with heavy emotional weight. The central similarity is the theme of consequences that are personal and profound, yet ultimately fail to disrupt the cyclical nature of the injustice or dysfunction depicted.
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