Going to Heaven

In the shimmering heat of the United Arab Emirates, a quiet suburb of Abu Dhabi becomes the backdrop for a tender coming‑of‑age tale. Sultan, an eleven‑year‑old who lost his mother at a very young age, drifts through a house that feels more like a series of constraints than a home. His father’s new marriage brings a stepmother whose affection is more practical than warm, and a younger sister, Fatima, whose presence adds a fragile thread of familial connection. Amidst this uneasy domestic landscape, Sultan clings to the simple comfort of three goldfish, symbols of the calm he desperately seeks.

A dusty, forgotten box—containing a photograph and a tape recording of his long‑absent grandmother—awakens a deeper yearning within him. The image of the matriarch, shrouded in mystery, offers a promise of the love and belonging he craves. It is this silent call that propels him toward an unlikely partnership with his best friend, Saud, an older boy whose love of motorcycles and football stars masks a thoughtful, resourceful side. Together they form a duo of hopeful optimism, each complementing the other’s strengths as they contemplate a daring trek across the Emirati landscape.

The film’s tone balances gentle nostalgia with the excitement of a youthful adventure. Sun‑baked highways stretch between bustling Abu Dhabi and the rugged coastlines of Fujairah, inviting viewers to feel the pulse of Emirati culture—its reverence for family, its blend of tradition and modernity, and its undercurrent of quiet resilience. The journey promises moments of discovery, laughter, and the inevitable lessons that arise when two friends step beyond the familiar.

At its heart, the story is a search for a missing piece of a young boy’s past, carried on the wings of friendship and the allure of a distant, enigmatic relative. The promise of connection hangs in the desert air, inviting the audience to wonder what will be found when a child’s hope meets the open road.

Last Updated: September 24, 2025 at 04:58